* A CD FULL OF SECRETS
êîìïàêò, ïîëíûé ñåêðåòîâ * 

WESTWOOD ONE VOL. þ: âûïóùåí: 1992 Ã.

êÎÌÏÎÇÈÖÈÈ: Candy And A Currant Bun; See Emily Play; Flaming (ÀÌÅÐÈÊÀÍÑÊÀß ÂÅÐÑÈß ÑÈÍÃËÀ); Apples And Oranges; Paintbox; It Would Be So Nice; Julia Dream; Point Me At The Sky; Heartbeat, Pigmeat; Crumbling Land; Come In Number 51, Your Time Is Up; Biding My Time; Money (ÒÀÍÖÅÂÀËÜÍÀß ÂÅÐÑÈß 1981 Ã.); When The Tigers Broke Free; Not Now John; Terminal Frost (DYOL-ÂÅÐÑÈß (DYOL -- "Do Your Own Lead" -- ÂÅÐÑÈß, ÏÐÈ ÊÎÒÎÐÎÉ ÎÒÑÓÒÑÒÂÓÅÒ ÃÈÒÀÐÍÎÅ ÑÎÏÐÎÂÎÆÄÅÍÈÅ, ×ÒÎÁÛ ÃÈÒÀÐÈÑÒÛ ÌÎÃËÈ ÈÑÏÎËÍßÒÜ ÑÎÁÑÒÂÅÍÍÛÅ ÑÎËÜÍÛÅ ÏÀÐÒÈÈ.)); Run Like Hell (ÊÎÍÖÅÐÒÍÀß ÂÅÐÑÈß).
ýÒÎÒ CD-ÑÁÎÐÍÈÊ, ÂÛÏÓÙÅÍÍÛÉ Â ñøà ÈÑÊËÞ×ÈÒÅËÜÍÎ ÄËß ÏÐÎÈÃÐÛÂÀÍÈß ÍÀ ÐÀÄÈÎÑÒÀÍÖÈßÕ, ÂÊËÞ×ÀÅÒ ÁÎËÜØÈÍÑÒÂÎ ÑÈÍÃËÎÂ, ÍÅ ÂÎØÅÄØÈÕ Â ÀËÜÁÎÌÛ (ÇÀ ÈÑÊËÞ×ÅÍÈÅÌ "Arnold Lane", ÄËÈÍÍÎÉ ÂÅÐÑÈÈ "The Hero's Return" È ÍÅÊÎÒÎÐÛÕ ÊÎÍÖÅÐÒÍÛÕ ÇÀÏÈÑÅÉ), À ÒÀÊÆÅ ÅÄÈÍÑÒÂÅÍÍÓÞ CD-ÂÅÐÑÈÞ ÀÌÅÐÈÊÀÍÑÊÎÃÎ ÑÈÍÃËÀ "Flaming" È "ÏÐÈËÈ×ÍÓÞ" ÂÅÐÑÈÞ ÑÈÍÃËÀ "Not Now John". êÎÌÏÀÊÒÄÈÑÊ ÁÛË ÒÀÊÆÅ ÏÈÐÀÒÑÊÈ ÂÛÏÓÙÅÍ ÍÅÈÇÂÅÑÒÍÎÉ ËÞÊÑÅÌÁÓÐÃÑÊÎÉ ÔÈÐÌÎÉ. "òÀÍÖÅÂÀËÜÍÀß" ÂÅÐÑÈß "Money" ÇÀÈÌÑÒÂÎÂÀÍÀ ÈÇ ÑÁÎÐÍÈÊÀ "Great Dance Songs", a ÊÎÍÖÅÐÒÍÀß ÊÎÌÏÎÇÈÖÈß "Run Like Hell" -- ÈÇ ÑÈÍÃËÀ "On The Turning Away".  * ÑÎËÜÍÛÅ ÇÀÏÈÑÈ * 
êÀÊ È ÈÕ ÊÎËËÅÃÈ ÈÇ ÃÐÓÏÏ ÏÎÄÎÁÍÎÃÎ ÊÀËÈÁÐÀ, ÌÓÇÛÊÀÍÒÛ "ïÈÍÊ ôËÎÉÄ" ÇÀÏÈÑÛÀËÈ ÑÎÁÑÒÂÅÍÍÛÅ ÑÎËÜÍÛÅ ÀËÜÁÎÌÛ. â ÑËÓ×ÀÅ Ñ äÀÂÈÄÎÌ ãÈËÌÎÐÎÌ, íÈÊÎÌ ìÝÉÑÎÍÎÌ È ðÈÊÎÌ ðÀÉÒÎÌ ÝÒÎ ÁÛËÎ ÄÅËÎÌ, ÊÎÒÎÐÎÅ ËÈÁÎ ÏÎÇÂÎËßËÎ ÇÀÏÎËÍÈÒÜ ÑÂÎÁÎÄÍÎÅ ÂÐÅÌß ÌÅÆÄÓ ÏÐÎÅÊÒÀÌÈ ÃÐÓÏÏÛ, ËÈÁÎ ÑÄÅËÀÒÜ ×ÒÎ-ÒÎ ÑÂÎÅ, ÍÅÑÎÂÌÅÑÒÈÌÎÅ Ñ "ïÈÍÊ ôËÎÉÄ ñÀÓÍÄ". ÷ÒÎ ÆÅ ÊÀÑÀÅÒÑß ÑÎËÜÍÛÕ ÏÐÎÅÊÒΠñÈÄÀ áÀÐÐÅÒÒÀ È, ÏÎÇÄÍÅÅ, ðÎÄÆÅÐÀ óÎÒÅÐÑÀ, ÒÎ ÎÍÈ ÄÀÞÒ ÍÀÌ ÏÐÅÄÑÒÀÂËÅÍÈÅ ÎÁ ÀËÜÒÅÐÍÀÒÈÂÍÎÌ "ïÈÍÊ ôËÎÉÄ", ÊÎÒÎÐÛÉ, ÂÎÇÌÎÆÍÎ ÁÛ, ÑÓÙÅÑÒÂÎÂÀË, ÅÑËÈ Á ÑÓÄÜÁÛ ÌÓÇÛÊÀÍÒΠÑËÎÆÈËÈÑÜ ÈÍÀ×Å.  * ñèä áàððåò *   * THE MADCAP LAUGHS
ñîðâàíåö ñìååòñÿ * 

HARVEST 8 28906 2; ïåðâîíà÷àëüíî: HARVEST SHVL 765; äî ýòîãî: HARVEST COP 7 46607 2; âûïóùåí: ÿíâàðü 1970 Ã.

êÎÌÏÎÇÈÖÈÈ: Terrapin; No Good Trying; Love You; No Man's Land; Dark Globe; Here I Go; Octopus; Golden Hair; Long Gone; She Took A Long Cold Look; Feel; If It's In You; Late Night. äÎÏÎËÍÈÒÅËÜÍÛÅ ÊÎÌÏÎÇÈÖÈÈ: Octopus (âÅÐÑÈÈ 1 È 2); It's No Good Trying (âÅÐÑÈß 5); Love You (âÅÐÑÈß 1); Love You (âÅÐÑÈß 3); She Took A Long Cold Look At Me (âÅÐÑÈß 4); Golden Hair (âÅÐÑÈß 5).
àËÜÁÎÌ, ÃÄÅ ÏÐÎÄÞÑÅÐÀÌÈ ÏÎÎ×ÅÐÅÄÍÎ ÂÛÑÒÓÏÀËÈ äÝÉ ãÈËÌÎÐ È ðÎÄÆÅÐ óÎÒÅÐÑ, ìÀËÊÎËÌ äÆÎÍÑ, äÝÉ ãÈËÌÎÐ È ñÈÄ áÀÐÐÅÒÒ, À ÒÀÊÆÅ ïÈÒÅÐ äÆÅÍÍÅÐ. äÎÏÎËÍÈÒÅËÜÍÛÅ ÊÎÌÏÎÇÈÖÈÈ ÇÀÏÈÑÀÍÛ ËÈØÜ Â ÏÎÑËÅÄÍÅÌ ÂÛÏÓÑÊÅ CD. "Golden Hair" ("çÎËÎÒÛÅ ÂÎËÎÑÛ")-- ÑÒÈÕÎÒÂÎÐÅÍÈÅ äÆÅÉÌÑÀ äÆÎÉÑÀ, ÏÅÐÅËÎÆÅÍÍÎÅ ÍÀ ÌÓÇÛÊÓ áÀÐÐÅÒÒÎÌ. ïÅÑÍß ÂÛØËÀ ÍÀ ÂÒÎÐÎÉ ÑÒÎÐÎÍÅ ÅÄÈÍÑÒÂÅÍÍÎÃÎ ÑÈÍÃËÀ áÀÐÐÅÒÒÀ, "Octopus" ("îÑÜÌÈÍÎÃ"), Harvest íàð 5009.  * BARRETT * 

HARVEST 8 28907 2 ïåðâîíà÷àëüíî: HARVEST SHSP 4007; äî ýòîãî: HARVEST COP 7 466606 2; âûïóùåí: íîÿáðü 1970 Ã.

êÎÌÏÎÇÈÖÈÈ: Baby Lemonade; Love Song; Dominoes; It Is Obvious; Rats; Maisie; Gigolo Aunt; Waving My Arms In The Air / I Never Lied To You; Wined And Dined; Woolfpack; Effervescing Elephant. äÎÏÎËÍÈÒÅËÜÍÛÅ ÊÎÌÏÎÇÈÖÈÈ: Baby Lemonade (âÅÐÑÈß 1); Waving My Arms In The Air (âÅÐÑÈß 1); / Never Lied To You (âÅÐÑÈß 1); Love Song (âÅÐÑÈß 1); Dominoes (âÅÐÑÈß 1); Dominoes (âÅÐÑÈß 2); ItlsObvious (âÅÐÑÈß 2).
ïÐÎÄÞÑÅÐ ÀËÜÁÎÌÀ -- äÝÉ ãÈËÌÎÐ. íÅÄÀÂÍÈÅ ÂÛÏÓÑÊÈ CD ÂÊËÞ×ÀÞÒ ÄÎÏÎËÍÈÒÅËÜÍÛÅ ÊÎÌÏÎÇÈÖÈÈ, À ÁÎËÅÅ ÐÀÍÍÈÅ ÂÛÏÓÑÊÈ ÓÊÀÇÛÂÀÞÒ ÈÌß ðÈ×ÀÐÄÀ ðÀÉÒÀ ÊÀÊ ÑÎÏÐÎÄÞÑÅÐÀ. ïÅÐÂÛÅ ÄÂÀ ÑÎËÜÍÛÕ ÀËÜÁÎÌÀ áÀÐÐÅÒÒÀ ÂÛØËÈ ÍÀ ÄÂÎÉÍÎÌ ÂÈÍÈËÎÂÎÌ ÄÈÑÊÅ ÏÎÄ ÍÀÇÂÀÍÈÅÌ "Syd Barrett" (Harvest SHDW 404).  * THE PEEL SESSION
ïåðåäà÷à ñ ïèëîì * 

STRANGE FRUIT SFPSCD 043; âûïóùåí: ôåâðàëü 1988 Ã.

êÎÌÏÎÇÈÖÈÈ: Terrapin; Gigolo Aunt; Effervescing Elephant; Two Of A Kind; Baby Lemonade.
çÀÏÈÑÜ ÑÄÅËÀÍÀ ÄËß ÐÀÄÈÎØÎÓ "Top Gear". ÑÎÑÒÎßÂØÅÃÎÑß 18 ÌÀß 1970 Ã. ÍÀ "áÈ-áÈ-ñÈ ðÀÄÈÎ 1 " Ñ ÄÈÑÊ-ÆÎÊÅÅÌ äÆÎÍÎÌ ïÈËÎÌ. ñÐÅÄÈ ÌÓÇÛÊÀÍÒÎÂ, ÐÀÁÎÒÀÂØÈÕ Ñ áÀÐÐÅÒÒÎÌ, ÁÛË äÆÅÐÐÈ øÅÐËÈ ÍÀ ÓÄÀÐÍÛÕ È äÝÂÈÄ ãÈËÌÎÐ ÍÀ ÁÀÑ-ÃÈÒÀÐÅ; ÏÐÎÄÞÑÅÐÎÌ ÑÒÀË äÆÎÍ óÎËÒÅÐÅ. õÎÒß Â CD ÓÊÀÇÀÍÎ, ×ÒÎ ÊÎÌÏÎÇÈÖÈÞ "Two Of A Kind" ("âÎÒ ÒÀÊ ÏÀÐÀ!") ÑÎ×ÈÍÈË áÀÐÐÅÒÒ, ÌÍÎÃÈÅ ÏÎÊËÎÍÍÈÊÈ ÃÐÓÏÏÛ ÓÒÂÅÐÆÄÀÞÒ, ×ÒÎ ÀÂÒÎÐÎÌ ÁÛË ðÈÊ ðÀÉÒ. â ÌÀÐÒÅ 1971 Ã. áÀÐÐÅÒÒ ÇÀÏÈÑÀË ÄËß áÈ-áÈ-ñÈ ÒÀÊÆÅ ÊÎÌÏÎÇÈÖÈÈ "Baby Lemonade", "Domino" È "Love Song", ÍÎ, Ê ÑÎÆÀËÅÍÈÞ, ÎÐÈÃÈÍÀËÜÍÀß ÏËÅÍÊÀ Ñ ÇÀÏÈÑÜÞ Â ÀÐÕÈÂÀÕ ÎÒÑÓÒÑÒÂÓÅÒ.  * OPEL
"îïåëü" * 

HARVEST 8289082; äî ýòîãî: HARVEST CDP 7 S-1206 2; âûïóùåí: 17 îêòÿáðÿ 1988 Ã.

êÎÌÏÎÇÈÖÈÈ: îÐÅl; Clowns & Jugglers (Octopus); Rats; Golden Hair; Dolly Rocker; Word Song; Wined And Dined; Swan Lee (Silas Lang); Birdie Hop; Let's Split; Lanky (Part 1); Wouldn't You Miss Me (Dark Globe); Milky Way; Golden Hair (ÈÍÑÒÐÓÌÅÍÒÀË). äÎÏÎËÍÈÒÅËÜÍÛÅ ÊÎÌÏÎÇÈÖÈÈ: Gigolo Aunt (âÅÐÑÈß 9); It Is Obvious (âÅÐÑÈß 3); It Is Obvious (âÅÐÑÈß 5); Clowns iS Jugglers (âÅÐÑÈß 1); Late Night (âÅÐÑÈß 2); Effervescing Elephant (âÅÐÑÈß 2).
ñÁÎÐÍÈÊ ÄÅÌÎÍÑÒÐÀÖÈÎÍÍÛÕ ÇÀÏÈÑÅÉ, ÀËÜÒÅÐÍÀÒÈÂÍÛÕ ÂÅÐÑÈÉ È ÍÅÂÛÏÓÑÊÀÂØÅÃÎÑß ÐÀÍÅÅ ÌÀÒÅÐÈÀËÀ ÈÇ ÏÅÐÂÛÕ ÄÂÓÕ ÀËÜÁÎÌÎÂ, Ñ ÐÀÇËÈ×ÍÛÌÈ ÏÐÎÄÞÑÅÐÀÌÈ. òÎËÜÊÎ ÑÀÌÛÉ ÏÎÑËÅÄÍÈÉ ÂÛÏÓÑÊ CD ÂÊËÞ×ÀÅÒ ÄÎÏÎËÍÈÒÅËÜÍÛÅ ÊÎÌÏÎÇÈÖÈÈ.  * CRAZY DIAMOND
áåçóìíûé áðèëëèàíò * 

THE COMPLETE SYD BARRETT ïîëíîå ñîáðàíèå ðàáîò ñèäà áàððåãòà HARVEST CDS 7 81412 2; âûïóùåíî: 26 àïðåëÿ 1993 Ã.

ýÒÎÒ ÍÀÁÎÐ ÈÇ ÒÐÅÕ ÊÎÌÏÀÊÒ-ÄÈÑÊΠÂÊËÞ×ÀÅÒ ÀËÜÁÎÌÛ: "The Madcap Laughs", "Barrett" È "îÐÅl", ÊÀÆÄÛÉ CD ÑÎÄÅÐÆÈÒ ÄÎÏÎËÍÈÒÅËÜÍÛÅ ÊÎÌÏÎÇÈÖÈÈ, ÊÐÎÌÅ ÝÒÎÃÎ,  ÍÀÁÎÐ ÂÊËÀÄÛÂÀÅÒÑß 24-ÑÒÐÀÍÈ×ÍÛÉ ÁÓÊËÅÒ. âÑÅ ÓÄËÈÍÅÍÍÛÅ ÂÅÐÑÈÈ CD ÂÛÏÓÙÅÍÛ ÎÒÄÅËÜÍÎ.  * äýâèä ãèëìîð *   * UNTITLED
(as Jokers Wild)
äèñê áåç íàçâàíèÿ
(Ñ ÃÐÓÏÏÎÉ "äÆÎÊÅÐÅ óÀÉËÄ") * 

âûïóùåí: ïðèìåðíî 1965 Ã.

êÎÌÏÎÇÈÖÈÈ: Why Do Fools Fall In Love; Walk Like A Man; Don't Ask Me (What I Say); Big Girls Don't Cry; Beautiful Delilah.
äÎ ÒÎÃÎ ÊÀÊ ÏÐÈÑÎÅÄÈÍÈÒÜÑß Ê "ïÈÍÊ ôËÎÉÄ", äÝÂÈÄ ãÈËÌÎÐ ÑÎ ÑÂÎÅÉ ÃÐÓÏÏÎÉ "äÆÎÊÅÐÅ óÀÉËÄ" ÇÀÏÈÑÀË ÎÄÍÎÑÒÎÐÎÍÍÈÉ ÄÈÑÊ, ÂÊËÞ×ÀÂØÈÉ ÏßÒÜ ØÈÐÎÊÎ ÈÇÂÅÑÒÍÛÕ ÊÎÌÏÎÇÈÖÈÉ Â ÑÒÈËÅ ÑÎÓË. âÑÅÃÎ ÁÛËÎ ÂÛÏÓÙÅÍÎ 40 ÈËÈ 50 ÊÎÏÈÉ ÏËÀÑÒÈÍÊÈ, ÄËß ÄÐÓÇÅÉ È ÐÎÄÑÒÂÅÍÍÈÊÎÂ. äÂÅ ÏÅÑÍÈ, "Don't Ask Me" ("He ÑÏÐÀØÈÂÀÉ ÌÅÍß") È "Why Do Fools Fall In Love" ("ïÎ×ÅÌÓ ÄÓÐÀÊÈ ÂËÞÁËßÞÒÑß"), ÂÛØËÈ ÍÀ 7-ÄÞÉÌÎÂÎÌ ÑÈÍÃËÅ ÏÐÈÌÅÐÍÎ ÒÅÌ ÆÅ ÒÈÐÀÆÎÌ. îÄÈÍ ÈÇ ÎÐÈÃÈÍÀËÜÍÛÕ ÄÈÑÊΠÁÛË ÏÐÎÄÀÍ Â 1994 Ã. ÇÀ 800 ÔÓÍÒÎÂ, ÍÎ ×ÈÒÀÒÅËÈ ÌÎÃÓÒ ÑÝÊÎÍÎÌÈÒÜ ÑÐÅÄÑÒÂÀ, ÏÎÑÅÒÈ íÀÖÈÎÍÀËÜÍÛÉ ÀÐÕÈ ÇÂÓÊÀ  ëÎÍÄÎÍÅ È ÓÑËÛØÀ ÌÀÃÍÈÒÍÓÞ ÇÀÏÈÑÜ ÀËÜÁÎÌÀ, ÅÃÎ ÍÎÌÅÐ ÏÎ ÊÀÒÀËÎÃÓ -- ñ-625/1.  * DAVID GILMOUR * 

HARVEST SHVL 817 (UK VINYL); COLUMBIA CK 35388 (USA CD); âûïóùåí: 25 ìàÿ 1978 Ã.

êÎÌÏÎÇÈÖÈÈ: Mihalis: There's No Way Out Of Here; Cry From The Street; So Far Away; Short And Sweet; Raise My Rent; No Way; Definitely; I Can't Breathe Anymore.
â ÒÎ ÂÐÅÌß ÊÀÊ óÎÒÅÐÑ Â 1978 Ã. ÃÎÒÎÂÈË ÄÅÌÎÇÀÏÈÑÈ ÀËÜÁÎÌΠ"The Wall" È "Pros And Cons Of Hitch Hiking", ãÈËÌÎÐ ÐÀÁÎÒÀË ÍÀÄ ÏÅÐÂÛÌ ÑÎÁÑÒÂÅÍÍÛÌ ÑÎËÜÍÛÌ ÀËÜÁÎÌÎÌ Ñ ðÈÊÎÌ óÈËÑÎÌ (ÁÀÑ-ÃÈÒÀÐÀ) È óÈËËÈ óÈËÑÎÍÎÌ (ÓÄÀÐÍÛÅ) -- ÌÓÇÛÊÀÍÒÀÌÈ, Ñ ÊÎÒÎÐÛÌÈ ÎÍ ÏÓÒÅØÅÑÒÂÎÂÀË ÏÎ ôÐÀÍÖÈÈ, ÄÎ ÒÎÃÎ ÊÀÊ ÏÐÈÑÎÅÄÈÍÈÒÜÑß Ê "ïÈÍÊ ôËÎÉÄ". òÐÈÎ ÂÅÐÍÓËÎÑÜ ÂÎ ôÐÀÍÖÈÞ ÄËß ÇÀÏÈÑÈ ÀËÜÁÎÌÀ  "ñÓÏÅÐÁÝÀ ñÒÓÄÈÎÑ", ÅÃÎ ÏÐÎÄÞÑÅÐÎÌ ÑÒÀË äÝÂÈÄ ãÈËÌÎÐ. åÄÈÍÑÒÂÅÍÍÛÉ ÑÈÍÃË ÈÇ ÀËÜÁÎÌÀ -- ÎÒÐÅÄÀÊÒÈÐÎÂÀÍÍÀß ÂÅÐÑÈß "There's No Way Out Of Here" ("îÒÑÞÄÀ ÍÅÒ ÂÛÕÎÄÀ"), ÏÅÐÂÎÍÀ×ÀËÜÍÎ ÂÛØËÀ ÏÎÄ ÍÀÇÂÀÍÈÅÌ "No Way Out Of Here" ÍÀ ÀËÜÁÎÌÅ ÃÐÓÏÏÛ "þÍÈÊÎÐÍ" "Too Many Crooks" ("ñËÈØÊÎÌ ÌÍÎÃÎ ÆÓËÈÊÎÂ"). ïÅÑÍß "Short And Sweet" ("êÎÐÎÒÊÈÉ È ÑËÀÄÊÈÉ") ÍÀÏÈÑÀÍÀ ÂÌÅÑÒÅ Ñ ðÎÅÌ õÀÐÏÅÐÎÌ ÄËß ÅÃÎ ÏËÀÑÒÈÍÊÈ "Unknown Soldier" ("íÅÈÇÂÅÑÒÍÛÉ ÑÎËÄÀÒ"), ÃÄÅ ÈÃÐÀË ãÈËÌÎÐ.  * ABOUT FACE
î ëèöå * 

HARVEST COP 7 46031 2; ïåðâîíà÷àëüíî: HARVEST SHSP 24-0079-1; âûïóùåí: 5 ìàðòà 1984 Ã.

êÎÌÏÎÇÈÖÈÈ: Until We Sleep; Murder; Love On The Air; Blue Light; Out Of The Blue; All Lovers Are Deranged; You Know I'm Right; Cruise; Let's get Methaphysical; Near The End.
àËÜÁÎÌ ÁÛË ÇÀÏÈÑÀÍ ãÈËÌÎÐÎÌ ÂÎ ÂÐÅÌß ÒÂÎÐ×ÅÑÊÎÉ ÏÀÓÇÛ "ïÈÍÊ ôËÎÉÄ", ÎÁÐÀÇÎÂÀÂØÅÉÑß ÏÎÑËÅ ÂÛÕÎÄÀ "The Final Cut"; ÏÐÎÄÞÑÅÐÎÌ ÑÒÀË áÎÁ ýÇÐÈÍ. ïÈÒ òÀÓÍØÅÍÄ ßÂËßÅÒÑß ÀÂÒÎÐÎÌ ÒÅÊÑÒÀ ÄÂÓÕ ÏÅÑÅÍ -- "Love On The Air" ("ëÞÁÎÂÜ Â ÝÔÈÐÅ") È "All Lovers Are Deranged" ("âÑÅ ÂËÞÁËÅÍÍÛÅ ÍÅÌÍÎÃÎ ÍÅ Â ÑÅÁÅ"), À ãÈËÌÎÐ ÑÎ×ÈÍÈË ÎÑÒÀËÜÍÛÅ. âÑÅ ÅÃÎ ÏÅÑÍÈ ÍÀÏÈÑÀÍÛ ÍÀ ÄÎÂÎËÜÍÎ ÂÛÑÎÊÎÌ ÓÐÎÂÍÅ, È ÑÒÀÍÎÂÈÒÑß ÍÅÏÎÍßÒÍÛÌ, ÇÀ×ÅÌ ÎÍ ÍÓÆÄÀËÑß Â ÏÎÌÎÙÈ Â ÏÎÑËÅÄÓÞÙÈÕ ÀËÜÁÎÌÀÕ. ãÈËÌÎÐ ÒÀÊÆÅ ÎÐÃÀÍÈÇÎÂÀË ÃÐÓÏÏÓ ÌÓÇÛÊÀÍÒΠ ÒÓÐÍÅ ÏÎ àÌÅÐÈÊÅ È åÂÐÎÏÅ;  ÎÁÙÅÉ ÑËÎÆÍÎÑÒÈ ÁÛËÎ ÑÛÃÐÀÍÎ ÁÎËÅÅ 70 ÊÎÍÖÅÐÒÎÂ, ÏÐÈÂËÅÊØÈÕ ÇÍÀ×ÈÒÅËÜÍÎÅ ÊÎËÈ×ÅÑÒÂÎ ÏÎÊËÎÍÍÈÊÎÂ, ÕÎÒß È ÍÅ Â ÌÀÑØÒÀÁÀÕ "ïÈÍÊ ôËÎÉÄ". êÎÌÏÎÇÈÖÈß "Blue Light" ("ãÎËÓÁÎÉ ÑÂÅÒ") ÂÛØËÀ ÍÀ 7- È 12-ÄÞÉÌÎÂÛÕ ÑÈÍÃËÀÕ (Harvest HAR 5226); ÍÀ ÂÒÎÐÎÉ ÑÒÎÐÎÍÅ Â ÎÁÎÈÕ ÔÎÐÌÀÒÀÕ ÇÀÏÈÑÀÍÀ ÊÎÌÏÎÇÈÖÈß "Cruise" ("êÐÓÈÇ"). â ñøà ÂÛØÅË ÅÙÅ ÎÄÈÍ ÂÀÐÈÀÍÒ 12-ÄÞÉÌÎÂÎÃÎ ÑÈÍÃËÀ, ÂÊËÞ×ÀÞÙÈÉ ÂÎÊÀËÜÍÛÉ È ÈÍÑÒÐÓÌÅÍÒÀËÜÍÛÉ ÐÅÌÈÊÑÛ, ÇÀÏÈÑÀÍÍÛÅ ôÐÀÍÑÓÀ êÅÂÎÐÊßÍÎÌ È ôÐÝÍÊÎÌ ôÈËÈÏÅÒÒÈ (Columbia 44-04983). â âÅËÈÊÎÁÐÈÒÀÍÈÈ ÝÒÎÒ ÆÅ ÂÀÐÈÀÍÒ ÁÛË ÂÛÏÓÙÅÍ Â ÂÈÄÅ ÏÐÎÌÎÓØÍ-ÄÈÑÊÀ ÄËß ÄÈÑÊ-ÆÎÊÅÅ (DG1). åÙÅ ÄÂÅ ÊÎÌÏÎÇÈÖÈÈ ÈÇ ÀËÜÁÎÌÀ "Love In The Air"/"Let's Get Methaphysical" ("äÀÂÀÉÒÅ ÇÀÉÌÅÌÑß ÌÅÒÀÔÈÇÈÊÎÉ") ÂÛØËÈ ÍÀ 7-ÄÞÉÌÎÂÎÌ ÑÈÍÃËÅ È ÄÈÑÊÅ Ñ ÈÇÎÁÐÀÆÅÍÈÅÌ ËÀÌÏÎÂÎÃÎ ÐÀÄÈÎÏÐÈÅÌÍÈÊÀ ÍÀ ÎÄÍÎÉ ÑÒÎÐÎÍÅ È äÀÂÈÄÀ ãÈËÌÎÐÀ -- ÍÀ ÄÐÓÃÎÉ (íàR 5229).  * íèê ìýéñîí *   * FICTITIOUS SPORTS
âûìûøëåííûå âèäû ñïîðòà * 

HARVEST SHSP 4116 (UK VINYL) SONY WK75070 (USA CD): âûïóùåí: ìàé 1981 Ã.

êÎÌÏÎÇÈÖÈÈ:ñÀn't Get My Motor To Start; I Was Wrong; Siam; Hot River; Boo To You Too; Do Ya?; Wervin'; I'm A Mineralist.
ïÅÐÂÀß ÏÎÏÛÒÊÀ ìÝÉÑÎÍÀ ÇÀÏÈÑÀÒÜ ÑÎËÜÍÛÉ ÀËÜÁÎÌ ÁÛËÀ ÑÄÅËÀÍÀ  1981 Ã., ÏÐÈ ÑÎÄÅÉÑÒÂÈÈ ÄÆÀÇÎÂÎÃÎ ÌÓÇÛÊÀÍÒÀ êÀÐËÛ áËÅÉ. âÑÅ ÊÎÌÏÎÇÈÖÈÈ Â ÀËÜÁÎÌÅ ÍÀÏÈÑÀÍÛ áËÅÉ, ÊÎÒÎÐÀß ÒÀÊÆÅ ÑÒÀËÀ ÑÎÏÐÎÄÞÑÅÐÎÌ, ÏÐÈ ÝÒÎÌ ÈÑÏÎËÜÇÎÂÀËÈÑÜ ÌÓÇÛÊÀÍÒÛ ÅÅ ÃÐÓÏÏÛ È ÅÅ ÑÒÓÄÈß "ãÐÎà êÈË"  íÜÞ éÎÐÊÅ. àËÜÁÎÌ ÇÍÀ×ÈÒÅËÜÍÎ ÁËÈÆÅ ÏÎ ÄÓÕÓ ÐÀÁÎÒÅ áËÅÉ, ÍÅÆÅËÈ "ïÈÍÊ ôËÎÉÄ", ÍÅÑÌÎÒÐß ÍÀ ÒÎ ×ÒÎ ÊÎÌÏÎÇÈÖÈß "Hot River" ("ãÎÐß×Àß ÐÅÊÀ") Ñ êÐÈÑÎÌ ñÏÅËËÈÍÃÎÌ, ÈÃÐÀÞÙÈÌ ÍÀ ÃÈÒÀÐÅ ÏÎÄ ãÈËÌÎÐÀ, È ðÎÁÅÐÒÎÌ óÈÝÒÒÎÌ, ÈÑÏÎËÍßÞÙÈÌ ÂÎÊÀËÛ, ßÂËßÅÒÑß ÎÒËÈ×ÍÛÌ ÏÎÄÐÀÆÀÍÈÅÌ "ïÈÍÊ ôËÎÉÄ".  * PROFILES
êðàòêèå áèîãðàôèè(Ñ ðÈÊÎÌ ôÅÍÍÎÌ) * 

HARVEST MAF 1 (UK VINYL); âûïóùåí: 19 àâãóñòà 1985 Ã.

êÎÌÏÎÇÈÖÈÈ: Malta; Lie For A Lie; Rhoda; Profiles Parts 1&2; Israel; And The Address; Mumbo Jumbo; Zip Code; Black Ice; At The End Of The Day; Profiles Part 3.
àËÜÁÎÌ ßÂËßÅÒÑß ÑÎÂÌÅÑÒÍÛÌ ÏÐÎÅÊÒÎÌ Ñ ðÈÊÎÌ ôÅÍÍÎÌ, ÃÈÒÀÐÈÑÒÎÌ, ÈÃÐÀÂØÈÌ Ñ ìÀÉÊÎÌ îËÄÔÈËÄÎÌ È Ñ ÃÐÓÏÏÎÉ "10 ññ". ìÝÉÑÎÍ È ôÅÍÍ ÂÌÅÑÒÅ ÑÎ×ÈÍßËÈ ÌÓÇÛÊÓ È ÇÀÏÈÑÛÂÀËÈ ÀËÜÁÎÌ Â ÑÒÓÄÈßÕ "áÐÈÒÀÍÍÈÀ ðÎÓ" È "áÝÉÑÌÅÍÒ". ñËÎÂÀ Ê ÄÂÓÌ ÏÅÑÍßÌ ÈÇ ÀËÜÁÎÌÀ -- "Lie For A Ue" ("ëÎÆÜ ÇÀ ËÎÆÜ") È "Israel" ÍÀÏÈÑÀË äÝÍÍÈ ïÅÉÐÎÍÅË, ÎÍ ÆÅ ÈÑÏÎËÍÈË È ÂÎÊÀËÛ Â ÏÎÑËÅÄÍÅÉ. êÐÎÌÅ ÝÒÎÃÎ,  ÇÀÏÈÑÈ ÏÐÈÍÈÌÀËÈ Ó×ÀÑÒÈÅ: ìÅË êÎËËÈÍÇ (ÑÀÊÑÎÔÎÍ), êÐÅÉà ïÐÓÝÑÑ (ÝÌÓËßÒÎÐ ÁÀÑ-ÃÈÒÀÐÛ Â ÊÎÌÏÎÇÈÖÈÈ "Malta") È ÏßÒÈËÅÒÍßß ÄÎ×Ü ôÅÍÍÀ àÉÀ (ÂÑÒÓÏËÅÍÈÅ ÍÀ ÎÐÃÀÍÅ Â ÊÎÌÏÎÇÈÖÈÈ "Malta"). ïÅÑÍß "A Lie For A Lie" ÁÛËÀ ÂÛÏÓÙÅÍÀ ÍÀ ÑÈÍÃËÅ (Harvest HAR 5238), ÂÎÊÀËÛ Â ÍÅÉ ÈÑÏÎËÍÈËÈ ìÝÃÃÈ ðÀÉËÈ È äÝÂÈÄ ãÈËÌÎÐ. íÀ ÂÒÎÐÎÉ ÑÒÎÐÎÍÅ ÑÈÍÃËÀ ÇÀÏÈÑÀÍÀ ÊÎÌÏÎÇÈÖÈß "And The Address" ("è ÀÄÐÅÑ"). íÀÇÂÀÍÈÅ ÀËÜÁÎÌÀ ÂÇßÒÎ ÈÇ ÇÂÓÊÎÂÎÉ ÄÎÐÎÆÊÈ Ê ÁÈÎÃÐÀÔÈ×ÅÑÊÎÌÓ ÔÈËÜÌÓ Î ìÝÉÑÎÍÅ "Life Could Be A Dream" ("æÈÇÍÜ ÌÎÃËÀ ÁÛÒÜ ÌÅ×ÒÎÉ"), ÂÛÏÓÙÅÍÍÎÃÎ Î×ÅÍÜ ÍÅÁÎËÜØÈÌ ÒÈÐÀÆÎÌ.  * ðîäæåð óîòåðñ *   * MUSIC FROM THE BODY
ìóçûêà èç ôèëüìà "òåëî" (Ñ ðÎÍÎÌ ãÈÑÈÍÎÌ) * 

HARVEST COP 7 92548 2; ïåðâîíà÷àëüíî: HARVEST SHSP 4008; âûïóùåí: ïðèìåðíî 1970 Ã. âèäåî - WARNER BROTHERS PES 38)96

êÎÌÏÎÇÈÖÈÈ: Our Song (Waters/Geesin); Sea Shell And Stone (Waters); Red Stuff Writhe; A Gentle Breeze Blew Through Life; Lick You Partners; Bridge Passage For Three Plastic Teeth; Chain Of Life (Waters); The Womb Bit (Waters/Geesin); Embryo Thought; March Past Of The Embryos; More Than Seven Dwarfs in Penis-Land; Dance Of The Red Corpuscles; Body Transport (Waters/Geesin); Hand Dance - Full Evening Dress; Breathe (Waters); Old Folks Ascension; Bedtime-Dream Clime; Piddle In Perspex; Embryonic Womb-Walk; Mrs. Throat Goes Walking; Sea Shell And Soft Stone (Waters/Geesin); Give Birth To A Smile (Waters).
"The Body" ÑÒÀË ÄÎÂÎËÜÍÎ ÍÎÂÀÒÎÐÑÊÈÌ (ÄËß ÑÂÎÅÃÎ ÂÐÅÌÅÍÈ) ÌÅÄÈÖÈÍÑÊÈÌ ÄÎÊÓÌÅÍÒÀËÜÍÛÌ ÔÈËÜÌÎÌ, ÏÎÑÒÀÂËÅÍÍÛÌ ðÎÅÌ áÀÒÒÅÐÑÁÈ, ÃÄÅ Â ÎÄÍÎÉ ÈÇ ÑÖÅÍ óÎÒÅÐÑ ×ÈÒÀÅÒ ÒÅÊÑÒ. ìÓÇÛÊÀ ÈÇ ÔÈËÜÌÀ,  ÎÑÍÎÂÍÎÌ ÑÎ×ÈÍÅÍÍÀß ãÈÑÈÍÎÌ, ÁÛËÀ ÏÎÂÒÎÐÍÎ È ÓÆÅ ÑÎÂÌÅÑÒÍÎ Ñ óÎÒÅÐÑÎÌ ÇÀÏÈÑÀÍÀ ÄËß ÀËÜÁÎÌÀ. êÎÌÏÎÇÈÖÈÞ "Gwe Birth To A Smile" ÂÌÅÑÒÅ Ñ óÎÒÅÐÑÎÌ ÈÑÏÎËÍßÞÒ ãÈËÌÎÐ, ðÀÉÒ È ìÝÉÑÎÍ. õÎÒß óÎÒÅÐÑ È ãÈÑÈÍ ÏÎÐÎÂÍÓ ÏÎÄÅËÈËÈ ÀÂÒÎÐÑÊÈÅ ÏÐÀÂÀ ÍÀ ÀËÜÁÎÌ,  ÁÎËÜØÈÍÑÒÂÅ ÌÓÇÛÊÀËÜÍÛÕ ÌÀÃÀÇÈÍΠÂÛ ÂÐßÄ ËÈ ÍÀÉÄÅÒÅ ÅÃÎ Â ÐÀÇÄÅËÅ ÍÀ ÁÓÊÂÓ "G"( ïÅÐÂÀß ÁÓÊÂÀ ÔÀÌÈËÈÈ Geesin.).  * THE PROS AND CONS OF HITCH HIKING
çà è ïðîòèâ åçäû àâòîñòîïîì * 

HAWEST CDP 7 4602S 2; ïåðâîíà÷àëüíî: HARVEST SHVL 24 Of 05 >; âûïóùåí: 8 ìàÿ 1984 Ã.

êÎÌÏÎÇÈÖÈÈ: 4.30am (Apparently They Were Travelling Abroad); 4.33am (Running Shoes); 4.37am (Arabs With Knives And West German Skies); 4.39am (For The First Time Today Part 2); 4.41am (Sexual Revolution); 4.47am (The Remains Of Our Love); 4.30am (Go Fishing); 4.56am (For The First Time Today Part 1); 4.58am (Dunroamin, Duncarin, Dunlivin); 5.01 am (The Pros And Cons Of Hitch Hiking); 5.06am (Every Strangers Eyes); 5.11am (The Moment Of Clarity).
ïÅÐÂÛÉ ÑÎËÜÍÛÉ ÀËÜÁÎÌ óÎÒÅÐÑÀ ÑÒÀË ÂÎÏËÎÙÅÍÈÅÌ ÈÄÅÈ, ÏÐÅÄËÎÆÅÍÍÎÉ ÃÐÓÏÏÅ "ïÈÍÊ ôËÎÉÄ" ÎÄÍÎÂÐÅÌÅÍÍÎ Ñ "òhÅ Wall", ÍÎ ÎÒÂÅÐÃÍÓÒÎÉ ÒÎÃÄÀ ÈÇ-ÇÀ ÅÅ "ÑËÈØÊÎÌ ËÈ×ÍÎÃÎ" ÕÀÐÀÊÒÅÐÀ. íÀ ÂÑÅÕ ÊÎÌÏÎÇÈÖÈßÕ ÀËÜÁÎÌÀ ÏÐÎÑÒÀÂËÅÍÎ ÂÐÅÌß, ÎÒÐÀÆÀÞÙÅÅ ÕÎÄ ÐÀÇÂÈÒÈß ÑÎÁÛÒÈÉ, ÏÐÈÑÍÈÂØÈÕÑß ÍÎ×ÜÞ ÍÀØÅÌÓ ÐÀÑÑÊÀÇ×ÈÊÓ. ïÐÈÊËÞ×ÅÍÈß ÍÀ×ÈÍÀÞÒÑß Ñ ÒÎÃÎ, ÊÀÊ ÍÀØ ÃÅÐÎÉ ÏÎÄÂÎÇÈÒ ÏÎÏÓÒ×ÈÖÓ, ÇÀÒÅÌ ÂÑÒÐÅ×ÀÅÒ éÎÊÎ îÍÎ, ÏÅÐÅÆÈÂÀÅÒ ÐÎÌÀÍÒÈ×ÅÑÊÓÞ ÈÑÒÎÐÈÞ Â ÃÅÐÌÀÍÑÊÎÌ ÎÒÅËÅ, ÏÎÄÂÅÐÃÀÅÒÑß ÀÒÀÊÅ ÒÅÐÐÎÐÈÑÒÎÂ, ÏÅÐÅÅÇÆÀÅÒ ÆÈÒÜ Â ÑÅËÜÑÊÓÞ ÌÅÑÒÍÎÑÒÜ, ÎÒ ÍÅÃÎ ÓÕÎÄÈÒ ÆÅÍÀ, ÏÎÑËÅ ×ÅÃÎ ÎÍ ÏÐÎÑÛÏÀÅÒÑß È ÎÁÍÀÐÓÆÈÂÀÅÒ, ×ÒÎ ÆÅÍÀ ÐßÄÎÌ È ÂÑÅ ÁÛËÎ ÑÍÎÌ. äÈÇÀÉÍ ÎÁËÎÆÊÈ ÀËÜÁÎÌÀ, ÂÛÏÎËÍÅÍÍÛÉ äÆÅÐÀËÜÄÎÌ ñÊÀÐÔÎÌ, ÈÇÎÁÐÀÆÀË ÈÇÂÅÑÒÍÓÞ ÏÎÐÍÎÌÎÄÅËÜ, ×ÅÌ ÍÀÂËÅÊ ÍÀ ÑÅÁß ÓÏÐÅÊÈ Â "ÆÅÍÑÊÎÉ ÄÈÑÊÐÈÌÈÍÀÖÈÈ".
â ÇÀÏÈÑÈ ÏÐÈÍÈÌÀËÈ Ó×ÀÑÒÈÅ: ýÍÄÈ áÎÓÍ (ÊËÀÂÈØÍÛÅ È ÃÈÒÀÐÛ), ðÝÉ êÓÏÅÐ (ÓÄÀÐÍÛÅ ÈÍÑÒÐÓÌÅÍÒÛ), ìÀÉÊË êÀÌÅÍ (ÔÎÐÒÅÏÈÀÍÎ, ÎÐÊÅÑÒÐÎÂÊÀ, ÑÎÏÐÎÄÞÑÅÐ ÂÌÅÑÒÅ Ñ óÎÒÅÐÑÎÌ), ýÍÄÈ íÜÞÌÀÐÊ (ÓÄÀÐÍÛÅ), äÝÂÈÄ ñÝÍÁÎÐÍ (ÑÀÊÑÎÔÎÍ), À ÒÀÊÆÅ ìÀÄÅËÈÍ áÅËË, êÝÒÈ êÈÑÑÎÍ È äÎÐÈÍ ÷ÀÍÒÅÐ, ÊÀÊ ÂÎÊÀËÈÑÒÊÈ ÂÒÎÐÎÃÎ ÏËÀÍÀ. íÅÑÊÎËÜÊÎ ÀÊÒÅÐΠÁÛËÈ ÇÀÄÅÉÑÒÂÎÂÀÍÛ Â ÎÇÂÓ×ÈÂÀÍÈÈ ÐÎËÅÉ. íÎ ÑÀÌÛÌ ÂÛÄÀÞÙÈÌÑß ÌÓÇÛÊÀÍÒÎÌ-Ó×ÀÑÒÍÈÊÎÌ ÑÒÀË ýÐÈÊ êËÝÏÒÎÍ. êÎÃÄÀ ÎÄÈÍ ÈÇ ÄÈÑÊ-ÆÎÊÅÅ ÑÏÐÎÑÈË Î ÅÃÎ ÂÊËÀÄÅ, óÎÒÅÐÑ ÑÀÐÊÀÑÒÈ×ÅÑÊÈ ÇÀÌÅÒÈË: "îÍ ÈÃÐÀË ÍÀ ÃÈÒÀÐÅ". ãÈÒÀÐÍÀß ÈÃÐÀ êËÝÏÒÎÍÀ  ÀËÜÁÎÌÅ ÐÀÑÑÌÀÒÐÈÂÀÅÒÑß ÌÍÎÃÈÌÈ ÊÀÊ ËÓ×ØÀß ÍÀ ÏÐÎÒßÆÅÍÈÈ ÐßÄÀ ËÅÒ È ÑÂßÇÛÂÀÅÒÑß Ñ ÒÅÌ, ×ÒÎ ÎÍ ÍÀÊÎÍÅÖ-ÒÎ ÎÑÂÎÁÎÄÈËÑß ÎÒ ÁÐÅÌÅÍÈ ËÈÄÅÐÑÒÂÀ  ÑÎÁÑÒÂÅÍÍÎÉ ÃÐÓÏÏÅ.
â ÑÎËÜÍÎÌ ÒÓÐÍÅ ÂÌÅÑÒÅ Ñ óÎÒÅÐÑÎÌ Ó×ÀÑÒÂÎÂÀËÈ êËÝÏÒÎÍ, êÀÌÅÍ, íÜÞÌÀÐÊ, êÈÑÑÎÍ, ÷ÀÍÒÅÐ, òÈÌ ðÅÍÂÈÊ (ÏÎÇÆÅ ÎÍ ÂÛÑÒÓÏÀË ÂÌÅÑÒÅ Ñ "ïÈÍÊ ôËÎÉÄ") È ìÅË êÎËËÈÍÇ. ïÎÑËÅ ÄÂÀÄÖÀÒÈ ÊÎÍÖÅÐÒΠêËÝÏÒÎÍÀ ÑÌÅÍÈËÈ ýÍÄÈ ôÝÐÓÝÇÅÐ-ëÎÓ È äÆÅÉ ñÒÝÏËÈ. "æÈÂÎÅ" ÈÑÏÎËÍÅÍÈÅ ÀËÜÁÎÌÀ ÏÐÎÕÎÄÈËÎ Ñ ÄÅÌÎÍÑÒÐÀÖÈÅÉ ÔÈËÜÌΠÍÀ ÝÊÐÀÍÅ ÑÖÅÍÛ (ÂÊËÞ×Àß ÍÎÂÛÅ ÀÍÈÌÀÖÈÈ ñÊÀÐÔÀ), Ñ ÊÓÊËÀÌÈ È ÎÄÅÒÛÌÈ ÏÎ ÑËÓ×ÀÞ ÂÎÊÀËÈÑÒÊÀÌÈ ÃÐÓÏÏÛ. ñËÓØÀÒÅËÈ ÏÎËÓ×ÈËÈ ÐÅÄÊÈÉ ØÀÍÑ ÎÖÅÍÈÒÜ ÈÃÐÓ êËÝÏÒÎÍÀ, ÈÑÏÎËÍßÞÙÅÃÎ ÊËÀÑÑÈ×ÅÑÊÈÅ ÊÎÌÏÎÇÈÖÈÈ "ïÈÍÊ ôËÎÉÄ", ÂÊËÞ×Àß "Money", ÒÐÈ ÏÅÑÍÈ ÈÇ ÀËÜÁÎÌÀ "Wish You Were Here", À ÒÀÊÆÅ ÊÎÌÏÎÇÈÖÈÈ "In The Flesh", "Hey You" È "Brain Damage/Eclipse". íÀ ÏÅÐÂÎÌ ÑÈÍÃËÅ ÈÇ ÀËÜÁÎÌÀ (HarvestHAR 5228) ÂÛØËÈ ÊÎÌÏÎÇÈÖÈÈ "The Pros And Cons..." (ÑÒÎÐÎÍÀ à) È "Apparently They Were Travelling Abroad" ("î×ÅÂÈÄÍÎ, ÎÍÈ ÅÕÀËÈ ÇÀ ÃÐÀÍÈÖÓ", ÑÒÎÐÎÍÀ â). â 12-ÄÞÉÌÎÂÓÞ ÂÅÐÑÈÞ (Harvest 12HAR 5228) ÒÀÊÆÅ ÂÎØËÈ "Running Shoes" ("êÐÎÑÑÎÂÊÈ") È ÓÄËÈÍÅÍÍÛÉ ÂÀÐÈÀÍÒ "The ProsAnd Cons..." Ñ ÎÒËÈ×ÀÞÙÈÌÑß ÃÈÒÀÐÍÛÌ ÑÎËÎ ýÐÈÊÀ êËÝÏÒÎÍÀ È ÄÎÁÀÂËÅÍÍÎÉ ÑÀÊÑÎÔÎÍÍÎÉ ÏÀÐÒÈÅÉ.
âÒÎÐÎÉ ÑÈÍÃË, ÂÊËÞ×ÈÂØÈÉ "Every Strangers Eyes" ("ãËÀÇÀ ÊÀÆÄÎÃÎ ÍÅÇÍÀÊÎÌÖÀ", ÑÒÎÐÎÍÀ à) È "For The First Time Today, P. 1" ("âÏÅÐÂÛÅ ÑÅÃÎÄÍß, ÷. 1", ÑÒÎÐÎÍÀ â), ÁÛËÎ ÄÎÂÎËÜÍÎ ÒÐÓÄÍÎ ÊÓÏÈÒÜ, ÎÍ ÑÒÀË ÑÂÎÅÃÎ ÐÎÄÀ ÐÀÐÈÒÅÒÎÌ.  * WHEN THE WIND BLOWS
êîãäà äóåò âåòåð * 

VIRGIN CW24W (CD); âûïóùåí: îêòÿáðü 1986 Ã. CBS FOX 5156 (VIDEO)

êÎÌÏÎÇÈÖÈÈ: òËÅ Russian Missile; Towers Of Faith. Hilda's Dream; The American Bomber; The Anderson Shelter; The British Submarine; The Attack; The Fall Out; Hilda's Hair; Folded Flags.
óÎÒÅÐÑ ÍÀÏÈÑÀË ÏÀÐÒÈÒÓÐÓ È ÑÄÅËÀË ÎÐÊÅÑÒÐÎÂÊÓ ÄËß ÌÓËÜÒÈÏËÈÊÀÖÈÎÍÍÎÃÎ ÔÈËÜÌÀ ÏÎ ÍÎÂÅËËÅ ðÝÉÌÎÍÄÀ áÐÈÃÃÑÀ, ÏÎÑÒÀÂËÅÍÍÎÃÎ äÆÈÌÌÈ ò. ìÓÐÀÊÀÌÈ. â ÏÅÐÂÎÉ ×ÀÑÒÈ ÝÒÎÃÎ ÀËÜÁÎÌÀ ÇÀÏÈÑÀÍÛ ÊÎÌÏÎÇÈÖÈÈ, ÈÑÏÎËÍÅÍÍÛÅ ÄÐÓÃÈÌÈ ÌÓÇÛÊÀÍÒÀÌÈ. èÍÑÒÐÓÌÅÍÒÀËÜÍÀß ×ÀÑÒÜ ÑÎ×ÈÍÅÍÈß óÎÒÅÐÑÀ ÈÍÄÅÊÑÈÐÎÂÀÍÀ ÍÀ ÄÈÑÊÅ ÊÀÊ ÎÄÍÀ ÊÎÌÏÎÇÈÖÈß, À ÄÓÝÒÛ "Towers Of Faith" ("áÀØÍÈ ÂÅÐÛ") È "Folded Flags" ("ñËÎÆÅÍÍÛÅ ÔËÀÃÈ") -- ÎÒÄÅËÜÍÎ. ïÅÐÂÛÉ ÄÓÝÒ, Ñ êËÝÐ òÎÐÐÈ,  ÔÈËÜÌ ÍÅ ÂÎØÅË È ÁÛË ÏÐÅÄÍÀÇÍÀ×ÅÍ ÄËß ÏÐÎÈÃÐÛÂÀÍÈß Â ÇÀËÅ,  ÒÎ ÂÐÅÌß ÊÀÊ ÂÛÊËÞ×ÀÅÒÑß ÑÂÅÒ. âÒÎÐÎÉ ÄÓÝÒ ÌÅÆÄÓ óÎÒÅÐÑÎÌ È ïÎËÎÌ êÝÐÐÀÊÎÌ. íÀÄÏÈÑÜ ÍÀ ÀËÜÁÎÌÅ ÈÍÔÎÐÌÈÐÓÅÒ, ×ÒÎ ÎÍ ÇÀÏÈÑÀÍ "ðÎÄÆÅÐÎÌ óÎÒÅÐÑÎÌ È ÃÐÓÏÏÎÉ "êÐÎÂÎÒÎ×ÀÙÅÅ ñÅÐÄÖÅ" (Roger Waters And The Bleeding Heart Band.), ÊÎÒÎÐÀß ÂÊËÞ×ÀËÀ äÆÅÉ ñÒÝÏËÈ È ìÅËÀ êÎËËÈÍÇÀ, À ÒÀÊÆÅ ìÝÒÀ èÐÂÈÍÃÀ È íÈÊÀ ãËÅÍÍÈ ñÌÈÒÀ (ÎÁÀ ÍÀ ÊËÀÂÈØÍÛÕ), äÆÎÍÀ ëÈÍÂÓÄÀ (ÏÐÎÃÐÀÌÌÈÐÎÂÀÍÈÅ) È äÆÎÍÀ ãÎÐÄÎÍÀ (ÁÀÑ-ÃÈÒÀÐÀ).  * RADIO KAOS
ðàäèî êýîñ * 

åì ñîð 7 46865 2 ïåðâîíà÷àëüíî: HARVEST KAOS: âûïóùåí: 15 èþíÿ 1987 Ã.

êÎÌÏÎÇÈÖÈÈ: Radio Waves; Who Needs Information; Me Or Him; The Powers That Be; Sunset Strip; Home; Four Minutes: The Tide Is Turning (After Live Aid).
ýÒÎÒ ÀËÜÁÎÌ ÇÀÏÈÑÀÍ Ñ ÁÎËÅÅ ÑÎÂÐÅÌÅÍÍÛÌ ÇÂÓ×ÀÍÈÅÌ, ×ÅÌ ÅÃÎ ÏÐÅÄØÅÑÒÂÅÍÍÈÊÈ, Î ×ÅÌ óÎÒÅÐÑ ÏÎÇÆÅ ÆÀËÅË. íÀ ÂÊËÀÄÛØÅ ÄÀÅÒÑß ÎÁúßÑÍÅÍÈÅ ÄÎÂÎËÜÍÎ ÑËÎÆÍÎÃÎ ÑÞÆÅÒÀ, ÊÎÒÎÐÛÉ ÂÊÐÀÒÖÅ ÌÎÆÍÎ ÎÏÈÑÀÒÜ ÊÀÊ ÍÅÂÅÐÎßÒÍÓÞ ÈÑÒÎÐÈÞ áÈËËÈ, ÑÒÐÀÄÀÞÙÅÃÎ ÏÀÐÀÏËÅÃÈÅÉ È ÎÁËÀÄÀÞÙÅÃÎ ÑÏÎÑÎÁÍÎÑÒßÌÈ ÒÅËÅÏÀÒÈ×ÅÑÊÎÃÎ ÎÁÙÅÍÈß Ñ ÏÎÌÎÙÜÞ ÒÅËÅÔÎÍÀ Ñ ËÞÄÜÌÈ È ÊÎÌÏÜÞÒÅÐÀÌÈ. â ÐÅÇÓËÜÒÀÒÅ áÈËËÈ ÑÈÌÓËÈÐÓÅÒ ßÄÅÐÍÓÞ ÂÎÉÍÓ, ×ÒÎÁÛ ÍÀÏÓÃÀÒÜ ÂÅÑÜ ÌÈÐ È ÏÎÄÒÎËÊÍÓÒÜ ÅÃÎ Ê ÈÄÅÅ ÐÀÇÎÐÓÆÅÍÈß. ïÎ ÕÎÄÓ ÑÞÆÅÒÀ óÎÒÅÐÑ ÏÎÊÀÇÛÂÀÅÒ ÑÂÎÅ ÍÅÏÐÈßÒÈÅ "ÐÛÍÎ×ÍÛÕ ÑÈË" È ÒÎÃÎ, ×ÒÎ ÏÐÈÍÖÈÏ "ÈÍÔÎÐÌÀÖÈß -- ÑÈËÀ" ÔÀÊÒÈ×ÅÑÊÈ ËÈØÀÅÒ ÌÍÎÃÈÕ ËÞÄÅÉ ÃÐÀÆÄÀÍÑÊÈÕ ÏÐÀÂ. êÀÊ ÁÛ ÒÎ ÍÈ ÁÛËÎ, ÀËÜÁÎÌ ÇÀÊÀÍ×ÈÂÀÅÒÑß ÍÀ ÏÎÇÈÒÈÂÍÎÉ ÍÎÒÅ -- ÏÅÑÍÅÉ, ÍÀÏÈÑÀÍÍÎÉ ÄÅÍÜ ÑÏÓÑÒß ÏÎÑËÅ ÊÎÍÖÅÐÒΠ"ëÀÉ ýÉÄ" È ÏÅÐÅÄÀÞÙÅÉ ÓÂÅÐÅÍÍÎÑÒÜ óÎÒÅÐÑÀ  ÑÂÅÒËÎÌ ÁÓÄÓÙÅÌ. ñÎÏÐÎÄÞÑÅÐÀÌÈ ÀËÜÁÎÌÀ ÑÒÀËÈ ðÎÄÆÅÐ óÎÒÅÐÑ, ÊËÀÂÈØÍÈÊ ÿÍ ðÈ×È È íÈÊ ãÐÈÔÔÈÒÑ,  ÄÂÓÕ ÊÎÌÏÎÇÈÖÈßÕ. îÍ ÁÛË ÇÀÏÈÑÀÍ Â ÁÀÇÎÂÎÌ ÑÎÑÒÀÂÅ: ôÝÐÓÝÇÅÐ-ëÎÓ (ÝËÅÊÒÐÎÃÈÒÀÐÀ), êÎËËÈÍÇ (ÑÀÊÑÎÔÎÍ), äÆÅÉ ñÒÝÏËÈ (ÃÈÒÀÐÀ) È ãÐÝÌ áÐÎÄ (ÓÄÀÐÍÛÅ), À ÒÀÊÆÅ Ñ Ó×ÀÑÒÈÅÌ ÖÅËÎÃÎ ÐßÄÀ ÌÓÇÛÊÀÍÒÎÂ, ÂÊËÞ×Àß ÂÎÊÀËÈÑÒΠïÎËÀ êÝÐÐÀÊÀ, êËÝÐ òÎÐÐÈ, âÈÊÈ áÐÀÓÍ È ÌÓÆÑÊÎÉ ÕÎÐ ïÎÍÒÀÐÄÄÓËÀÈÑ. ïÅÑÍß "òhÅ Powers That Be" ("ðÅÀËÜÍÀß ÂËÀÑÒÜ") ÈÑÏÎËÍßÅÒÑß ÏÎ×ÒÈ ÒÅÌ ÆÅ ÑÎÑÒÀÂÎÌ, ×ÒÎ È Â ÀËÜÁÎÌÅ "When The Wind Blows", ÂÛÄÀÂÀß ÑÂßÇÜ ÑÒÈËÅÉ ÝÒÈÕ ÑÎ×ÈÍÅÍÈÉ. âÑÅ ÊÎÌÏÎÇÈÖÈÈ ÑÂßÇÀÍÛ ÄÈÀËÎÃÀÌÈ ÌÅÆÄÓ ÌÈÊÐÎÊÎÌÏÜÞÒÅÐÎÌ, ÃÎÂÎÐßÙÈÌ ÃÎËÎÑÎÌ áÈËËÈ, È ÐÀÄÈÎ ÄÈ-ÄÆÅÅÌ äÆÈÌÎÌ ëÝÄÄÎÌ. â ÊÎÏÈßÕ ÀËÜÁÎÌÀ, ÐÀÑÏÐÎÑÒÐÀÍÅÍÍÛÕ Â ÖÅËßÕ ÏÐÎÌÎÓØÍ ÍÀ ÀÌÅÐÈÊÀÍÑÊÈÕ ÐÀÄÈÎÑÒÀÍÖÈßÕ, ÇÍÀ×ÈÒÅËÜÍÀß ×ÀÑÒÜ ÁÅÑÅÄ áÈËËÈ È äÆÈÌÀ ëÝÄÄÀ ÎÒÑÓÒÑÒÂÎÂÀËÀ.
â 7-ÄÞÉÌÎÂÛÉ ÑÈÍÃË "Radio Waves" ("ðÀÄÈÎ ÂÎËÍÛ" - EMI åì 6) ÂÊËÞ×ÅÍÀ ÒÀÊÆÅ ÄÅÌÎÂÅÐÑÈß ÊÎÌÏÎÇÈÖÈß "Going To Live In LA" ("ñÎÁÈÐÀÅÌÑß ÆÈÒÜ Â ëÎÑ-àÍÄÆÅËÅÑÅ"), ÍÅ ÂÎØÅÄØÀß Â ÀËÜÁÎÌ. ñÈÍÃË Â ÔÎÐÌÀÒÀÕ 12 ÄÞÉÌÎÂ È CD ÄÎÏÎËÍÈÒÅËÜÍÎ ÂÊËÞ×ÈË ÐÅÌÈÊÑ ÊÎÌÏÎÇÈÖÈÈ "Radio Waves". íÀ ÂÒÎÐÎÉ ÑÒÎÐÎÍÅ ÑÈÍÃËÀ "òËÅ Tide Is Turning" ("âÐÅÌÅÍÀ ÌÅÍßÞÒÑß" - EMI åì 37) ÂÛØËÀ ßÊÎÁÛ "ÊÎÍÖÅÐÒÍÀß" ÂÅÐÑÈß ÊÎÌÏÎÇÈÖÈÈ "Money", À ÍÀ ÑÀÌÎÌ ÄÅËÅ ÑÒÓÄÈÉÍÀß, Ñ ÄÎÏÎËÍÈÒÅËÜÍÎ ÇÀÏÈÑÀÍÍÛÌ ØÓÌÎÌ ÇÀËÀ. òÀÊÈÌ ÎÁÐÀÇÎÌ, óÎÒÅÐÑ ÃÎÐÜÊÎ ÓÑÌÅÕÍÓËÑß ÏÎ ÏÎÂÎÄÓ ÏÐÎÄÎËÆÀÂØÅÃÎÑß ÓÑÏÅÕÀ ÑÂÎÅÉ ÁÛÂØÅÉ ÃÐÓÏÏÛ, 12-ÄÞÉÌÎÂÀß È ñî-ÂÅÐÑÈß ÝÒÎÃÎ ÑÈÍÃËÀ ÂÊËÞ×ÈËÈ ÒÀÊÆÅ "Get Back To Radio" ("âÎÇÂÐÀÙÀÉÑß Ê ÐÀÄÈÎ") - ÅÙÅ ÎÄÍÓ ÑÒÓÄÈÉÍÓÞ ÄÅÌÎÇÀÏÈÑÜ, ÍÅ ÂÎØÅÄØÓÞ Â ÀËÜÁÎÌ. è ÍÀÊÎÍÅÖ, ÒÐÅÒÜß, ÍÅ ÏÎÏÀÂØÀß Â ÀËÜÁÎÌ, ÍÎ ÈÑÏÎËÍßÂØÀßÑß ÍÀ ÊÎÍÖÅÐÒÀÕ "Radio KAOS", ÊÎÌÏÎÇÈÖÈß "Molly's Song" ÂÛØËÀ ÍÀ ÂÒÎÐÎÉ ÑÒÎÐÎÍÅ ÀÌÅÐÈÊÀÍÑÊÎÃÎ ÑÈÍÃËÀ "Who Needs Information" ("êÎÌÓ ÍÓÆÍÀ ÈÍÔÎÐÌÀÖÈß" -- Columbia 38-07617).
çÀ ÀËÜÁÎÌÎÌ ÏÎÑËÅÄÎÂÀËÎ ÂÈÄÅÎ (ÐÅÆÈÑÑÅÐ óÈËËÈ ñÌÀÊÅ), ÂÊËÞ×ÈÂØÅÅ ÐÅÊËÀÌÍÛÅ ÊËÈÏÛ ÊÎÌÏÎÇÈÖÈÉ "Radio Waves", "Sunset Strip", Four Minutes" È "The Tide Is Turning". â ÏÎÑËÅÄÍÞÞ ÐÅÄÀÊÖÈÞ ÂÈÄÅÎÔÈËÜÌÀ (Music Club MC 2128) ÍÅ ÂÎØËÈ ÊÎÌÌÅÍÒÀÐÈÈ, ÍÀÕÎÄÈÂØÈÅÑß Â ÎÐÈÃÈÍÀËÜÍÎÉ ÂÅÐÑÈÈ. âÎ ÂÐÅÌß ÒÓÐÍÅ Ê ÁÀÇÎÂÎÌÓ ÑÎÑÒÀÂÓ ÃÐÓÏÏÛ ÏÐÈÌÊÍÓËÈ êÝÐÐÀÊ (ÊËÀÂÈØÍÛÅ, ÂÎÊÀËÛ), ëÝÄÄ,÷ÀÍÒÅÐ È êÈÑÑÎÍ. êÎÍÖÅÐÒÛ, ÂÊËÞ×ÀÂØÈÅ ÊÀÊ ÑÎÁÑÒÂÅÍÍÛÉ ÌÀÒÅÐÈÀË ÀËÜÁÎÌÀ "Radio KAOS", ÒÀÊ È ÑÎ×ÈÍÅÍÈß "ïÈÍÊ ôËÎÉÄ", ÏÐÎÕÎÄÈËÈ Â ÔÎÐÌÅ ÐÀÄÈÎØÎÓ--ÌÓÇÛÊÀÍÒÛ ÈÑÏÎËÍßËÈ ÊÎÌÏÎÇÈÖÈÈ, ÊÎÒÎÐÛÅ ÎÁúßÂËßËÈÑÜ ÄÈ-ÄÆÅÅÌ. â ÏÀÓÇÀÕ ÇÐÈÒÅËÈ ÌÎÃËÈ "ÏÎÇÂÎÍÈÒÜ" ÈÇ ÑÏÅÖÈÀËÜÍÎÉ ÁÓÄÊÈ, ÓÑÒÀÍÎÂËÅÍÍÎÉ Â ÇÀËÅ, È ÇÀÄÀÒÜ óÎÒÅÐÑÓ ÂÎÏÐÎÑÛ. ãÐÓÏÏÀ "ïÈÍÊ ôËÎÉÄ", ÍÀÕÎÄÈÂØÀßÑß Â ÝÒÎ ÆÅ ÂÐÅÌß Â ÑÎÁÑÒÂÅÍÍÎÌ ÒÓÐÍÅ Â àÌÅÐÈÊÅ, ÏÎÐÎÉ ÈÑÏÎËÍßËÀ ÒÅ ÆÅ ÊÎÌÏÎÇÈÖÈÈ, ×ÒÎ È óÎÒÅÐÑ, ÍÎ Â ÄÐÓÃÎÌ ÃÎÐÎÄÅ. îÁÅÙÀÍÍÛÉ ÊÎÍÖÅÐÒÍÛÉ ÀËÜÁÎÌ óÎÒÅÐÑÀ ÒÀÊ È ÍÅ ÁÛË ÂÛÏÓÙÅÍ.  * THE WALL LIVE IN BERLIN
êîíöåðò "ñòåíà" â áåðëèíå * 

MERCURY S46611 2; âûïóùåí: 17 ñåíòÿáðÿ 1990 Ã. âèäåî - POLYGRAM MUSIC VIDEO 082 648-3

êÎÌÏÎÇÈÖÈÈ: In The Flesh?; The Thin Ice; Another Brick In The Wall (Part 1); The Happiest Days Of Our Lives; Another Brick In The Wall (Part 2); Goodbye Blue Sky; Empty Spaces; Young Lust; One Of My Turns; Don't Leave Me Now; Another Brick In The Wall (Part 3); Goodbye Cruel World; Hey You; Is There Anybody Out There?; Nobody Home; Vera; Bring The Boys Back Home; Comfortably Numb; In The Flesh; Run Like Hell; Waiting For The Worms; Stop; The Trial; The Tide Is Turning.
21 ÈÞËß 1990 Ã. óÎÒÅÐÑ ÄÀË ÊÎÍÖÅÐÒ "ñÒÅÍÀ"  áÅÐËÈÍÅ, ÑÄÅÐÆÀ ÒÅÌ ÑÀÌÛÌ ÑÂÎÅ ÎÁÅÙÀÍÈÅ ÎÑÓÙÅÑÒÂÈÒÜ ÝÒÎ, ÅÑËÈ ÓÏÀÄÅÒ ÍÀÑÒÎßÙÀß ÁÅÐËÈÍÑÊÀß ÑÒÅÍÀ. ñÈÅ ÎÇÍÀ×ÀËÎ, ×ÒÎ ÎÍ ÄÎËÆÅÍ ÁÛË ÏÐÅÐÂÀÒÜ ÐÀÁÎÒÓ ÍÀÄ ÍÎÂÎÉ ÎÏÅÐÎÉ "çÀ Ira", ÃÎÒÎÂÈÂØÅÉÑß Ê 200-ËÅÒÈÞ ÂÇßÒÈß áÀÑÒÈËÈÈ. ïÎ ÏÐÅÄËÎÆÅÍÈÞ ÔÐÀÍÖÓÇÑÊÎÃÎ ÀÂÒÎÐÀ ýÒÜÅÍÀ ðÎÄÀ-æÈËß, ÍÀÏÈÑÀÂØÅÃÎ ËÈÁÐÅÒÒÎ, óÎÒÅÐÑ ÑÎ×ÈÍÈË ÌÓÇÛÊÓ ÄËß ÎÐÊÅÑÒÐÀ È ÂÎÊÀËÈÑÒÎÂ. ýÒÎÒ ÏÐÎÅÊÒ ÒÀÊ È ÎÑÒÀÅÒÑß ÍÅÇÀÂÅÐØÅÍÍÛÌ. êÎÍÖÅÐÒÍÎÉ ÏËÎÙÀÄÊÎÉ ÑÒÀËÀ ïÎÒÑÄÀÌÑÊÀß ÏËÎÙÀÄÜ,  ÁÛËÛÅ ÂÐÅÌÅÍÀ ßÂËßÂØÀßÑß ÑÅÐÄÖÅÌ ÑÒÀÐÎÃÎ ÃÎÐÎÄÀ. êÎÍÖÅÐÒ ÁÛË ÇÀÄÓÌÀÍ ÄËß ÑÁÎÐÀ ÑÐÅÄÑÒ  ìÅÌÎÐÈÀËÜÍÛÉ ÔÎÍÄÆÅÐÒ ÑÒÈÕÈÉÍÛÕ ÁÅÄÑÒÂÈÉ--ÁËÀÃÎÒÂÎÐÈÒÅËÜÍÓÞ ÎÐÃÀÍÈÇÀÖÈÞ, ÎÑÍÎÂÀÍÍÓÞ ÂÅÒÅÐÀÍÎÌ ÂÎÉÍÛ ëÅÎÍÀÐÄÎÌ ÷ÅØÈÐÎÌ. â ÇÀÄÀ×È ÔÎÍÄÀ ÂÕÎÄÈËÎ ÑÁÎÐ 5 ÔÓÍÒΠÑÒÅÐËÈÍÃΠÇÀ ÊÀÆÄÓÞ ÆÈÇÍÜ, ÏÎÒÅÐßÍÍÓÞ Â ÂÎÉÍÀÕ ÍÀØÅÃÎ ÑÒÎËÅÒÈß, È ÈÑÏÎËÜÇÎÂÀÍÈÅ ÝÒÈÕ ÑÐÅÄÑÒ ÄËß ÔÈÍÀÍÑÈÐÎÂÀÍÈß ×ÐÅÇÂÛ×ÀÉÍÛÕ ÏÐÎÃÐÀÌÌ ÏÎÌÎÙÈ. âÌÅÑÒÅ Ñ óÎÒÅÐÑÎÌ Â ÊÎÍÖÅÐÒÅ Ó×ÀÑÒÂÎÂÀË ÖÅËÛÉ ÐßÄ ÇÍÀÌÅÍÈÒÎÑÒÅÉ: áÐÀÉÀÍ ýÄÀÌÑ, "áÝÍÄ"(ëÅÂÎÍõÅËÌ, ðÈÊäÀÍÊÎ È ãÀÐÒ õÀÄÑÎÍ), ïÎË êÝÐÐÀÊ, òÈÌ êÀÐÐÈ, òÎÌÀÑ äÎËÁÈ, ìÀÐÈÀÍ ÔÝÉÒÔÓË, àËÜÁÅÐÒ ôÈÍÍÅÉ, äÆÅÉÌÑ ãÎËÂÝÉ, äÆÅÐÐÈ õÎËË, "õÓÒÅÐÑ", ñÈÍÄÈ ëÎÏÅÐ, óÒÅ ëÅÌÏÅÐ, äÆÎÍÈ ìÈÒ×ÅË, ïÝÄÄÈ ìÎËÎÍÈ, âÀÍ ìÎÐÐÈÑÎÍ, øÈÍÅÄ 0'êÎÍÍÎÐ, "ñÊÎÐÏÈÎÍÇ", âÎÅÍÍÛÉ ÎÐÊÅÑÒÐ ñÎÂÅÒÑÊÎÉ àÐÌÈÈ, À ÒÀÊÆÅ ÎÐÊÅÑÒÐ È ÕÎÐ ðÀÄÈÎ âÎÑÒÎ×ÍÎÃÎ áÅÐËÈÍÀ. àÂÒÎÐÎÌ ÎÐÊÅÑÒÐÎÂÎÊ È ÄÈÐÈÆÅÐÎÌ ÑÒÀË ìÀÉÊË êÀÌÅÍ.
âÌÅÑÒÎ ÊÎÌÏÎÇÈÖÈÈ "Empty Spaces", ÓÊÀÇÀÍÍÎÉ ÍÀ ÎÁËÎÆÊÅ, óÎÒÅÐÑ ÐÅØÈË ÈÑÏÎËÍÈÒÜ "What Shall We Do Now" -- ÊÀÊ ÎÍ ÓÆÅ ÍÅ ÐÀÇ ÄÎ ÝÒÎÃÎ ÄÅËÀË ÍÀ ÊÎÍÖÅÐÒÀÕ "The Wall". ÷ÒÎÁÛ ÈÌÅÒÜ ÏÎÇÈÒÈÂÍÛÉ ÔÈÍÀË, óÎÒÅÐÑ ÇÀÌÅÍÈË "The Tide Is Turning" ÍÀ "Outside The Wall". èÇ ÀËÜÁÎÌÀ ÁÛËÎ ÂÛÏÓÙÅÍÎ ÄÂÀ ÑÈÍÃËÀ: "Another Brick In The Wall (Part 2)" (Mercury MER 332) È "The Tide Is Turning" (MER 336), ÏÐÈ×ÅÌ ÎÁÅ ÊÎÌÏÎÇÈÖÈÈ ÁÛËÈ ÎÒÐÅÄÀÊÒÈÐÎÂÀÍÛ, À ÈÕ ÎÐÈÃÈÍÀËÜÍÛÅ ÀËÜÁÎÌÍÛÅ ÂÅÐÑÈÈ ÄÎÁÀÂËÅÍÛ Â 12-ÄÞÉÌÎÂÎÌ È CD-ÔÎÐÌÀÒÅ ÑÈÍÃËÀ. íÀ ÑÒÎÐÎÍÅ 8 7-ÄÞÉÌÎÂÎÃÎ ÄÈÑÊÀ "Another Brick" ÂÛØËÀ ÊÎÍÖÅÐÒÍÀß ÂÅÐÑÈß "Run Like Hell", À  ÄÐÓÃÈÕ ÔÎÐÌÀÒÀÕ -- ÎÍÀ ÆÅ, ÍÎ ÏÅÐÅÄÅËÀÍÍÀß Â ÑÒÓÄÈÈ È ÇÀÏÈÑÀÍÍÀß ÏÎÄ ÍÀÇÂÀÍÈÅÌ "PodstamerMix". âÒÎÐÀß ÑÒÎÐÎÍÀ ÑÈÍÃËÀ "The Tide Is Turning" ÏÐÅÄÑÒÀÂËßËÀ ÑÎÁÎÉ ÊÎÌÏÎÇÈÖÈÞ "Nobody Home". ñÓÙÅÑÒÂÓÅÒ ÒÀÊÆÅ ÂÈÄÅÎÇÀÏÈÑÜ ÊÎÍÖÅÐÒÀ, ÂÛÏÓÙÅÍÍÀß ÍÀ ÎÄÍÎÉ ÊÀÑÑÅÒÅ Ñ ÔÈËÜÌÎÌ "ïÈÍÊ ôËÎÉÄ" "The Wall" (Polygram Video 087 730 3). êÎÍÖÅÐÒ ÏÎËÓ×ÈËÑß ÃÐÀÍÄÈÎÇÍÛÌ ÇÐÅËÈÙÅÌ, ÂÑß ÏÐÈÁÛËÜ ÎÒ ÊÎÒÎÐÎÃÎ ÏÎØËÀ  ÁËÀÃÎÒÂÎÐÈÒÅËÜÍÛÉ ÔÎÍÄ. àËÜÁÎÌ ÆÅ, ÇÀÏÈÑÀÍÍÛÉ Â ÑÎÒÐÓÄÍÈ×ÅÑÒÂÅ ÑÎ ÇÂÓÊÎÇÀÏÈÑÛÂÀÞÙÅÉ ÔÈÐÌÎÉ "ìÅÐÊÜÞÐÈ", ÍÅÑÊÎËÜÊÎ ÐÀÇÎ×ÀÐÎÂÛÂÀÅÒ, ÊÀÊ, ÂÏÐÎ×ÅÌ, È ÂÈÄÅÎ. ëÓ×ØÈÌ ÑÎÂÅÒÎÌ ÁÓÄÅÒ ÊÓÏÈÒÜ ÇÀÏÈÑÜ, ÅÑËÈ ÕÎÒÈÒÅ ÏÎÄÄÅÐÆÀÒÜ ÁËÀÃÎÒÂÎÐÈÒÅËÜÍÛÉ ÔÎÍÄ, À ÏÎÒÎÌ ÏÐÈÉÒÈ ÄÎÌÎÉ È ÏÎÑËÓØÀÒÜ ÎÐÈÃÈÍÀË.  * AMUSED TO DEATH
ïîçàáàâèëè äî ñìåðòè * 

COLUMBIA COL 4 â8761 2; âûïóùåí: 7 ñåíòÿáðÿ 1992 Ã.

êÎÌÏÎÇÈÖÈÈ: The Ballad Of Bill Hubbard; What God Wants, Part I; Perfect Sense, Part I; Perfect Sense, Part II; The Bravery Of Being Out Of Range; Late Home Tonight, Part I; Late Home Tonight, Part II; Too Much Rope; What God Wants, Part II; What God Wants, Part III; Watching TV; Three Wishes; It's A Miracle; Amused To Death.
óÎÒÅÐÑ ÐÀÁÎÒÀË ÍÀÄ ÀËÜÁÎÌÎÌ ÓÐÛÂÊÀÌÈ,  ÒÅ×ÅÍÈÅ ÏßÒÈ ËÅÒ, ÇÀÄÓÌÀ ÅÃÎ ÊÀÊ ÏÐÎÄÎËÆÅÍÈÅ ÈÑÒÎÐÈÈ, ÍÀ×ÀÒÎÉ Â "Radfo KAOS". â ÍÀ×ÀËÅ 1989 Ã. è-ýÌ-àÉ ÎÁúßÂÈËÀ, ×ÒÎ ÏËÀÍÈÐÎÂÀÂØÈÉÑß ÂÛÕÎÄ ÀËÜÁÎÌÀ ÎÒÊËÀÄÛÂÀÅÒÑß ÍÀ ÃÎÄ ÈÇ-ÇÀ ÒÎÃÎ, ×ÒÎ óÎÒÅÐÑ ÍÅ ÑÎÂÑÅÌ ÄÎÂÎËÅÍ ÑÂÎÈÌ ÏÐÎÈÇÂÅÄÅÍÈÅÌ. â ÐÅÇÓËÜÒÀÒÅ ÀËÜÁÎÌ ÁÛË ÂÛÏÓÙÅÍ ÇÂÓÊÎÇÀÏÈÑÛÂÀÞÙÅÉ ÔÈÐÌÎÉ "êÎËÀÌÁÈÀ", ÒÅÏÅÐÜ ßÂËßÞÙÅÉÑß ×ÀÑÒÜÞ ÊÎÍÃËÎÌÅÐÀÒÀ "ñÎÍÈ", À ÍÅ ÊÎÌÏÀÍÈÈ è-ýÌ-àÉ, ÊÀÊ ÁÛËÎ ÐÀÍÜØÅ.
ñÞÆÅÒ ÝÒÎÃÎ ÀËÜÁÎÌÀ ÅÙÅ ÁÎËÅÅ ÑËÎÆÍÛÉ, ×ÅÌ "Radio KAOS", È ÅÌÓ ÌÎÃËÀ ÁÛ ÁÛÒÜ ÎÒÄÅËÜÍÎ ÏÎÑÂßÙÅÍÀ ÊÍÈÃÀ ÎÁúÅÌÎÌ Ñ ÝÒÓ, ÎÄÍÀÊÎ ÂÎ ÂÊËÀÄÛØÅ ÍÅ ÁÛËÎ ÄÀÍÎ ÍÈÊÀÊÈÕ ÏÎßÑÍÅÍÈÉ. îÒÑÓÒÑÒÂÈÅ ÊÀÊÈÕ-ËÈÁÎ ÈÍÒÅÐÂÜÞ ÀÂÒÎÐÀ ÍÀ ÝÒÓ ÒÅÌÓ ÒÀÊÆÅ ÍÅ ÏÐÎËÈËÎ ÑÂÅÒ ÍÀ ÑÞÆÅÒ. ñÀÌÎ ÍÀÇÂÀÍÈÅ ÏÐÎÈÑÕÎÄÈÒ ÎÒ ÊÍÈÃÈ íÅÉËÀ ïÎÑÒÌÝÍÀ "Amusing Ourselves To Death" ("çÀÁÀÂËßÅÌ ÑÀÌÈÕ ÑÅÁß ÄÎ ÑÌÅÐÒÈ"), À ÈÑÒÎÐÈß óÎÒÅÐÑÀ ÂÐÀÙÀÅÒÑß ÂÎÊÐÓà "ÑÒÐÀÍÛ ÌÛËÜÍÎÉ ÎÏÅÐÛ", ÃÄÅ ÍÀÈÁÎËÜØÅÅ ÂÍÈÌÀÍÈÅ ÓÄÅËßÅÒÑß ÏÐÈ×ÅÑÊÀÌ, ÊÎÑÒÞÌÀÌ, ÈÍÒÈÌÍÎÉ ÆÈÇÍÈ È ÌÀÍÅÐÀÌ ÃÎÑÓÄÀÐÑÒÂÅÍÍÛÕ ÄÅßÒÅËÅÉ, ÍÅÆÅËÈ ÒÎÉ ÏÎËÈÒÈÊÅ, ÊÎÒÎÐÓÞ ÎÍÈ ÏÐÎÂÎÄßÒ. â ÀËÜÁÎÌÅ ÓÏÎÌÈÍÀÅÒÑß ÁÎÌÁÅÆÊÀ ëÈÂÈÈ ÀÌÅÐÈÊÀÍÑÊÈÌÈ ÑÀÌÎËÅÒÀÌÈ Ñ ÁÀÇ Â àÍÃËÈÈ, ÏÎÁÎÈÙÅ ÍÀ ÏËÎÙÀÄÈ òßÍÜ àÍÜ ìÛÍÜ, ÇÂÅÐÑÒÂÀ ÒÅÐÐÎÐÈÑÒÎÂ È ÎÁÍÀÐÓÆÅÍÈÅ ÈÍÎÏËÀÍÅÒßÍÀÌÈ-ÀÍÒÐÎÏÎËÎÃÀÌÈ ÎÑÒÀÍÊΠÂÛÌÅÐØÅÉ ×ÅËÎÂÅ×ÅÑÊÎÉ ÐÀÑÛ. àËÜÁÎÌ ÏÎÑÂßÙÅÍ ÐßÄÎÂÎÌÓ óÈËÜßÌÓ õÀÁÁÀÐÄÓ, È Â ÏÅÐÂÎÉ ÊÎÌÏÎÇÈÖÈÈ ÌÛ ÑËÛØÈÌ, ÊÀÊ ÃÎËÎÑ ÅÃÎ ÒÎÂÀÐÈÙÀ àËÜÔÀ ðÀÇÇÅËÀ ÈÇ ÒÅËÅÂÈÇÈÎÍÍÎÃÎ ÄÎÊÓÌÅÍÒÀËÜÍÎÃÎ ÔÈËÜÌÀ ÎÏÈÑÛÂÀÅÒ ÃÈÁÅËÜ õÀÁÁÀÐÄÀ  ÏÅÐÂÎÉ ÌÈÐÎÂÎÉ ÂÎÉÍÅ. óÎÒÅÐÑ ÂÍÎÂÜ ØÈÐÎÊÎ ÈÑÏÎËÜÇÓÅÒ ÌÅÒÎÄ "ÑÏÈÑÊÀ"  ÒÅÊÑÒÅ ÏÅÑÅÍ ÀËÜÁÎÌÀ.
â ÍÅÑÊÎËÜÊÈÕ ÊÎÌÏÎÇÈÖÈßÕ ÀËÜÁÎÌÀ ÍÀ ÃÈÒÀÐÅ ÈÃÐÀÅÒ äÆÅÔ áÝÊ. âÅÐÎßÒÍÎ, ÒÀÊÎÉ ÏÎÂÎÐÎÒ ÑÎÁÛÒÈÉ ÇÀÑÒÀÂÈË ÏÎÊËÎÍÍÈÊΠÃÐÓÏÏÛ "ÿÐÄÁÅÐÄÑ" ÐÀÇÌÛØËßÒÜ ÍÀÄ ÒÅÌ, ÊÀÊ ÑÊÎÐÎ óÎÒÅÐÑ ÇÀÏÈØÅÒ ×ÒÎ-ÍÈÁÓÄÜ Ñ äÆÈÌÌÈ ïÅÉÄÆÅÌ. ñÐÅÄÈ ÈÇÂÅÑÒÍÛÕ ÈÌÅÍ, ÏÐÈÍÈÌÀÂØÈÕ Ó×ÀÑÒÈÅ Â ÇÀÏÈÑÈ, -- ï. ï. àÐÍÎËÜÄ, äÆÎÍ "êÐÎËÈÊ" áÀÍÄÐÈÊ, ðÈÒÀ êÓËÈÄÆ, í'äÈ äÝÉÂÅÍÏÎÐÒ, äÎÍ õÝÍËÈ, ñÒÈ ëÓÊÀÒÅÐ È äÆÅÔ ïÎÐÊÀÐÎ. áÛË ÏÐÈÃËÀØÅÍ È ÐßÄ "ÑÒÀÐÛÕ ÇÍÀÊÎÌÛÕ", ÂÊËÞ×Àß ìÀÉÊËÀ êÀÌÅÍÀ, ýÍÄÈ ôÝÐÓÝÇÅÐ-ëÎÓ, ãÐÝÌÀ áÐÎÄÀ, ðÈÊÀ äÈ ôÎÍÇÎ, á. äÆ. êÎÓË, êÝÒÈ êÈÑÑÎÍ È äÎÐÈÍ ÷ÀÍÒÅÐ, ÕÎÒß ãÀÉ ïÐÀÒÒ ÏÎ ÏÎËÈÒÈ×ÅÑÊÈÌ ÑÎÎÁÐÀÆÅÍÈßÌ Ñ×ÅË ÍÓÆÍÛÌ ÎÒÊËÎÍÈÒÜ ÏÐÅÄËÎÆÅÍÈÅ ÑÛÃÐÀÒÜ ÍÀ ÁÀÑ-ÃÈÒÀÐÅ. óÄÈÂÈÒÅËÜÍÎ, ÍÎ ÑÀÌ óÎÒÅÐÑ ÈÑÏÎËÍßÅÒ Â ÀËÜÁÎÌÅ ËÈØÜ ÂÎÊÀËÛ ÄÀ ÈÃÐÀÅÒ ÅÙÅ Â ÍÅÑÊÎËÜÊÈÕ ÌÅÑÒÀÕ ÍÀ ÁÀÑ-ÃÈÒÀÐÅ, ÀÊÓÑÒÈ×ÅÑÊÎÉ ÃÈÒÀÐÅ ÈËÈ ÑÈÍÒÅÇÀÒÎÐÅ. óÎÒÅÐÑ ÏÎÐßÄÊÎÌ ÐÀÇÎÇËÈËÑß, ÊÎÃÄÀ áÎÁ ýÇÐÈÍ ÍÅ ÑÒÀË ÏÎÌÎÃÀÒÜ ÅÌÓ Ñ "Radio KAOS", ÂÌÅÑÒÎ ÝÒÎÃÎ ÇÀÏÈÑÀÂ Ñ ãÈËÌÎÐÎÌ "Momentary Lapse...", È ÂÊËÞ×ÈË Â ÑÂÎÉ ÀËÜÁÎÌ ÄÀÆÅ ÒÀÊÈÅ ÑÒÐÎ×ÊÈ: "ó ÊÀÆÄÎÃÎ ÅÑÒÜ ÖÅÍÀ, Ó ÒÅÁß È Ó áÎÁÀ ÎÍÀ Î×ÅÍÜ ÍÈÇÊÀß". ìÅÑÒÎ áÎÁÀ ÇÀÍßË ïÀÒÐÈÊ ëÅÎÍÀÐÄ, ÑÒÀÂØÈÉ ÑÎÏÐÎÄÞÑÅÐÎÌ óÎÒÅÐÑÀ È ÑÛÃÐÀÂØÈÉ ÍÀ ÊËÀÂÈØÍÛÕ. çÀÏÈÑÜ ÏÐÎÈÑÕÎÄÈËÀ  ÖÅËÎÉ ÑÅÐÈÈ ÑÒÓÄÈÉ, ÂÊËÞ×Àß ÁÈËÜßÐÄÍÓÞ ÊÎÌÍÀÒÓ ËÎÍÄÎÍÑÊÎÉ ÐÅÇÈÄÅÍÖÈÈ óÎÒÅÐÑÀ, ÑÒÓÄÈÈ "êÎÌÏÀÑÑ ïÎÉÍÒ"  íÀÑÑÀÓ, "ýÁÁÈ ðÎÓÄ" È ÅÙÅ ÂÎÑÅÌÜ ÄÐÓÃÈÕ Â ëÎÍÄÎÍÅ È ñøà. ïÎÑËÅ ÈÑÏÎËÍÅÍÈß ÊÎÌÏÎÇÈÖÈÈ "What God Wante" ("÷ÒÎ áÎÃÓ ÓÃÎÄÍÎ") ÍÀ ÔÅÑÒÈÂÀËÅ "ãÈÒÀÐÍÛÕ ËÅÃÅÍÄ"  ñÅÂÈËÜÅ È ÁËÀÃÎÒÂÎÐÈÒÅËÜÍÎÃÎ ÊÎÍÖÅÐÒÀ  ñøà, óÎÒÅÐÑ ÎÁúßÂÈË Î ÂÎÇÌÎÆÍÎÑÒÈ ÌÈÐÎÂÎÃÎ ÒÓÐÍÅ, ÅÑËÈ ÁÓÄÓÒ ÏÐÎÄÀÍÛ 2 ÌÈËËÈÎÍÀ ÊÎÏÈÉ ÀËÜÁÎÌÀ. ñÏÓÑÒß ÃÎÄ ÏÎÑËÅ ÂÛÕÎÄÀ ÁÛËÀ ÏÐÎÄÀÍÀ ËÈØÜ ÏÎËÎÂÈÍÀ ÝÒÎÃÎ ÊÎËÈ×ÅÑÒÂÀ, È ÒÓÐÍÅ ÍÅ ÑÎÑÒÎßËÎÑÜ. è ÈÇ ÝÒÎÃÎ ÀËÜÁÎÌÀ ÂÛØËÎ ÄÂÀ ÑÈÍÃËÀ. "What God Wants, Part /" (Columbia 658139) ÇÀÏÈÑÀÍ ÍÀ 7-ÄÞÉÌÎÂÎÌ ÄÈÑÊÅ, ÊÀÑÑÅÒÅ È Â ÄÂÓÕ CD-ÔÎÐÌÀÒÀÕ (ÂÒÎÐÎÉ ÏÐÅÄÑÒÀÂËßË ÑÎÁÎÉ ÓÏÀÊÎÂÊÓ, ÂÊËÞ×ÀÂØÓÞ ÖÂÅÒÍÛÅ ÑÍÈÌÊÈ ÈÇ ÐÅÊËÀÌÍÎÃÎ ÂÈÄÅÎÊËÈÏÀ). âÒÎÐÛÌ ÑÈÍÃËÎÌ ÑÒÀËÀ ÊÎÌÏÎÇÈÖÈß, "òËÅ Bravery Of Being Out Of Range" ("õÐÀÁÐÎÑÒÜ, ÇÀÊËÞ×ÀÞÙÀßÑß Â ÍÀÕÎÆÄÅÍÈÈ ÂÍÅ ÏÐÅÄÅËΠÄÎÑßÃÀÅÌÎÑÒÈ" -- Columbia 658 819). îÁÀ ÑÈÍÃËÀ ÑÎÄÅÐÆÀÒ ÄÎÏÎËÍÈÒÅËÜÍÛÅ ÊÎÌÏÎÇÈÖÈÈ -- ÂÑÅ Ñ ÎÐÈÃÈÍÀËÜÍÎÃÎ ÀËÜÁÎÌÀ.  * ðè÷àðä ðàéò * 
 * WET DREAM ýðîòè÷åñêèé ñîí * 

HARVEST SHVL 818 (UK Vltf/ö; SONYA24090 (USA CD): âûïóùåí: 22 ñåíòÿáðÿ 1978 Ã.

êÎÌÏÎÇÈÖÈÈ: Mediterranean ñ; Against The Odds; Cat Cruise; Summer Elegy; Waves; Holiday; Mad Yannis Dance; Drop In From The Top; Pink's Song; Funky Deux.
âÎ ÂÐÅÌß ÇÀÏÈÑÈ ÑÂÎÅÃÎ ÏÅÐÂÎÃÎ ÑÎËÜÍÎÃÎ ÀËÜÁÎÌÀ ðÈ×ÀÐÄ ðÀÉÒ ÏÎÑËÅÄÎÂÀË ÑÎÂÅÒÓ ãÈËÌÎÐÀ È ÎÁÐÀÒÈËÑß Â ÑÒÓÄÈÞ "ñÓÏÅÐÁÝÀÐ". òÀÌ È ÁÛË ÂÛÏÓÙÅÍ ÝÒÎÒ ÄÈÑÊ, ÎÑÒÀÂØÈÉÑß ÄËß ÌÍÎÃÈÕ ÍÅÇÀÌÅ×ÅÍÍÛÌ, ÍÅÑÌÎÒÐß ÍÀ Ó×ÀÑÒÈÅ Â ÅÃÎ ÑÎÇÄÀÍÈÈ ÌÓÇÛÊÀÍÒΠÂÛÑÎÊÎÃÎ ÊËÀÑÑÀ -- ìÅË êÎËËÈÍÇ (ÑÀÊÑÎÔÎÍ), ñÍÎÓÈ óÀÉÒ (ÃÈÒÀÐÀ), ëÝÐÐÈ ñÒÈË (ÁÀÑ-ÃÈÒÀÐÀ) È Per èÑÀÄÎÐ (ÓÄÀÐÍÛÅ). äÈÇÀÉÍ ÎÁËÎÆÊÈ ÂÛÏÎËÍÅÍ "õÈÏÍÎÇÈÑ". èÇ ÀËÜÁÎÌÀ ÍÅ ÂÛÏÓÙÅÍÎ ÑÈÍÃËÎÂ, È ðÀÉÒ ÍÅ ÂÛÑÒÓÏÀË Ñ ÊÎÍÖÅÐÒÀÌÈ. ñËÎÂÀ "ïÅÑÍÈ ïÈÍÊÀ" {"Pink's Song") ÍÀÏÈÑÀÍÛ ÁÛÂØÅÉ ÆÅÍÎÉ ðÀÉÒÀ äÆÓËÜÅÒÎÉ,  ÁÛÒÍÎÑÒÈ äÆÓËÜÅÒÎÉ ãÝÉË, ÏÅÂÈÖÅÉ Â ÃÐÓÏÏÅ "ýÁÄÀÁÑ", ÏÎÇÆÅ ÏÅÐÅÈÌÅÍÎÂÀÍÍÎÉ Â "ïÈÍÊ ôËÎÉÄ". ïÅÑÍß ÍÀÇÂÀÍÀ  ×ÅÑÒÜ ÐÅÏÅÒÈÒÎÐÀ ÄÅÒÅÉ ×ÅÒÛ ðÀÉÒ È ÍÈÊÀÊ ÍÅ ÑÂßÇÀÍÀ Ñ ÈÌÅÍÅÌ ÃÅÐÎß "ñÒÅÍÛ".  * IDENTITY
(as Zee)
èäåíòè÷íîñòü
(ÏÎÄ ÈÌÅÍÅÌ "çÈ") * 

HARVEST SHSP 24 0101 1 (ÊÐÎÌÅ CD); âûïóùåí: 9 àïðåëÿ 1984 Ã.

êÎÌÏÎÇÈÖÈÈ: Confusion; Voices; Private Person; Strange Rhythm; Cuts Like A Diamond; By Touching; How Do You Do It; Seems We Were Dreaming; Eyes Of A Gypsy (ÒÎËÜÊÎ ÍÀ ÊÀÑÑÅÒÅ).
ïÎÊÈÍÓ "ïÈÍÊ ôËÎÉÄ", ðÀÉÒ ÎÁúÅÄÈÍÈË ÑÂÎÈ ÓÑÈËÈß Ñ äÝÉÂÎÌ õÀÐÐÈÑÎÌ, ÁÛÂØÈÌ ËÈÄÅÐÎÌ ÃÐÓÏÏÛ "íÎÂÛÕ ðÎÌÀÍÒÈÊΠôÝØÍ". âÌÅÑÒÅ ÎÍÈ ÑÔÎÐÌÈÐÎÂÀËÈ ÊÎÌÀÍÄÓ ÏÎÄ ÍÀÇÂÀÍÈÅÌ "çÈ",  ÊÎÒÎÐÎÌ ðÀÉÒ ÑÎ×ÈÍßË ÌÓÇÛÊÓ ÍÀ ÑËÎÂÀ õÀÐÐÈÑÀ. åÄÈÍÑÒÂÅÍÍÛÉ ÀËÜÁÎÌ, ÂÛÏÓÙÅÍÍÛÉ ÈÌÈ, ÏÎ ÑÒÈËÞ ÁÎËÅÅ ÍÀÏÎÌÈÍÀÅÒ ÌÓÇÛÊÓ "ôÝØÍ", ÍÅÆÅËÈ "ïÈÍÊ ôËÎÉÄ". êÀÊ È Â ÑËÓ×ÀÅ Ñ ÏÅÐÂÛÌ ÀËÜÁÎÌÎÌ ðÀÉÒÀ, ÊÎÌÏÎÇÈÖÈÈ ÈÇ "Identity" ÒÀÊÆÅ ÍÈ ÐÀÇÓ ÍÅ ÈÑÏÎËÍßËÈÑÜ ÍÀ ÊÎÍÖÅÐÒÀÕ. àËÜÁÎÌ ßÂËßÅÒÑß ÅÄÈÍÑÒÂÅÍÍÎÉ ÑÎËÜÍÎÉ ÐÀÁÎÒÎÉ ÊÎÃÎ-ËÈÁÎ ÈÇ ÏÈÍÊÔËÎÉÄÎÂÖÅÂ, ÍÈÃÄÅ ÍÅ ÂÛÏÓÙÅÍÍÎÉ Â ÔÎÐÌÀÒÅ CD. êÎÌÏÎÇÈÖÈß "Confusion" ("ïÓÒÀÍÈÖÀ") ÁÛËÀ ÂÛÏÓÙÅÍÀ  ÂÈÄÅ ÑÈÍÃËÀ (Harvest HAR 5227), Ñ ÏÅÑÍÅÉ "Eyes of A Gypsy" ("öÛÃÀÍÑÊÈÅ Î×È") ÍÀ ÂÒÎÐÎÉ ÑÒÎÐÎÍÅ. â 12-ÄÞÉÌÎÂÎÌ ÔÎÐÌÀÒÅ ÄÈÑÊÀ (12 HAR 5227) ÂÛØËÈ ÅÙÅ ÄÂÅ, ÏÎ-ÐÀÇÍÎÌÓ ÑÌÈÊØÈÐÎÂÀÍÍÛÅ, ÂÅÐÑÈÈ "Confusion". 
áÓÌÀÆÍÎÅ ÈÇÄÀÍÈÅ:
        	© 1995, Omnibus Press (A Division of Book Sales Limited)
        	© 1997, êÎÌÏÀÍÈß "åÂÐÀÇÈÉÑÊÈÉ ÐÅÃÈÎÍ"
		© 1997, èÇÄÀÒÅËÜÑÒÂÎ "ëÎÊÈÄ"
		ISBN 5-86217-026-X
		ááê 85
		ì12
		ìÎÑÊÂÀ, 1997
ýËÅÊÒÐÎÍÍÎÅ ÈÇÄÀÍÈÅ:
        	ñÊÀÍÈÐÎÂÀÍÈÅ, ÐÀÑÏÎÇÍÀÂÀÍÈÅ È ÎÔÎÐÌËÅÍÈÅ -
        	Copyright © 1998 Lazy Crazy.
        	All rights reserved.