Valentin Katayev. The Cottage in the Steppe a novel ___________________________________________ TRANSLATED FROM THE RUSSIAN BY FAINNA SOLASKO AND EVE MANNING Russian original title: •уторок в степи FOREIGN LANGUAGES PUBLISHING HOUSE Moscow OCR: http://home.freeuk.com/russica2/ і http://home.freeuk.com/russica2/ __________________________________________ DESIGNED BY D. BISTI CONTENTS Death of Tolstoi Skeleton What Is a Red? A Heavy Blow Requiem The Resignation An Old Friend Gavrik's Dream A Jar of Jam Mr. Faig The Sailor's Outfit Departure The Letter On Board Istanbul Chicken Broth The Acropolis The New Hat The Mediterranean Messina Pliny the Younger Naples and the Neapolitans Alexei Maximovich Vesuvius A Cinder The Eternal City On the Shores of Lake Geneva Emigres and Tourists Love at First Eight A Storm in the Mountains The Home-Coming Precious Stones Sunday The Kite From a Shop The Bad Mark Auntie's New Idea The Old Woman Workers of the World, Unite! The New Home Snowdrops The Lena Massacre The First Issue of the Pravda The Cottage in .the Steppe The Death of Warden The Widow with a Child The Secret Note The Rendezvous Caesar's Commentaries Queen of the Market Friends in Need Don't Kick a Man When He's Down! Terenty Semyonovich Glow-Worms Moustache The Sail At the Camp-Fire Stars DEATH OF TOLSTOI Gusts of wind from the sea brought rain and tore the umbrellas from people's hands. The streets were shrouded in the grey half-light, and Petya's heart felt just as dark and dreary as the morning. Even before he reached the familiar corner he saw a small crowd gathered around the news-stand. Stacks of overdue papers had just been dropped off and were being snatched up eagerly. The unfolded pages fluttered in the wind and were instantly spotted by the rain. Some of the men in the crowd removed their hats, and a woman sobbed loudly, dabbing a handkerchief at her eyes and nose. "So he is dead," Petya thought. He was near enough now to see the wide black mourning border around the pages and a dark portrait of Lev Tolstoi with his familiar white beard. Petya was thirteen and, like all young boys, he was terrified by thoughts of death. Whenever someone he knew died, Petya's heart would be gripped by fear and he would recover slowly as after a serious illness. Now, however, his fear of death was of an entirely different mature. Tolstoi had not been an acquaintance of theirs. Petya could not conceive of the great man as living the life of an ordinary mortal. Lev Tolstoi was a famous writer, just like Pushkin, Gogol, or Turgenev. In the boy's imagination he was a phenomenon, not a human being. And now he was on his deathbed at Astapovo Station, and the whole world waited with bated breath for the announcement of his death. Petya as caught up in the universal anticipation of an event that seemed incredible and impossible where the immortal known as "Lev Tolstoi" was concerned. And when the event had become a reality, Petya was so crushed by the news that he stood motionless, leaning against the slimy, wet trunk of an acacia. It was just as mournful and depressing at the gymnasium as in the streets. The boys were hushed, there was no running up and down the stairs, and they spoke in whispers, as in church at a requiem mass. During recesses they sat around in silence on the window-sills. The older boys of the seventh and eighth forms gathered in small groups on the landings and near the cloak-room where they furtively rustled the pages of their newspapers, since it was against the rules to bring them to school. Lessons dragged on stiffly and quietly with maddening monotony. The inspector or one of the assistant teachers would look in through the panes of the classroom door, their faces bearing an identical expression of cold vigilance. Petya felt that this familiar world of the gymnasium, with the official uniforms and frock-coats of the teachers, the light-blue stand-up collars of the ushers, the silent corridors where the tiled floor resounded to the click of the inspector's heels, the faint odour of incense near the carved oaken doors of the school chapel on the fourth floor, the occasional jangling of a telephone in the office downstairs, and the* tinkling of test-tubes in the physics laboratory-this was a world utterly remote from the great and terrible thing that, according to Petya, was taking place beyond the walls of the gymnasium, in the city, in Russia, throughout the world. What actually was taking place outside? Petya would look out of the window from time to time, but could see only the familiar uninteresting scene of the streets leading to the railway. He saw the wet roof of the law-court, a beautiful structure with a statue of the blind Themis in front. Beyond was the cupola of the St. Panteleimon Church, the Alexandrovsky district fire-tower and, in the distance, the damp, gloomy haze of the workers' quarter with its factory chimneys, warehouses and a certain leaden darkness on the horizon which reminded him of something that had happened long ago and which he could not quite place. It was only after lessons had ended for the day and Petya found himself in the street that he suddenly remembered it all. An early twilight descended on the city. Oil lamps lit up the shop windows, throwing sickly yellow streaks of light on the wet pavements. The ghostly elongated shadows of passers-by flitted through the mist. Suddenly there was a sound of singing. Row after row of people with their arms linked were Founding the corner. A hat-less student marched in front, pressing a black-framed portrait of Lev Tolstoi to his breast. The damp wind ruffled his fair hair. "You fell, a victim in the fight," the student was singing in a defiant tenor above the discordant voices of the crowd. Both the student and the procession of singing people had suddenly and with great force brought back to Petya a long-forgotten time and street. Then, as now, the pavement had glittered in the mist, and along it marched a crowd of students-mostly men and a few women wearing tiny karakul hats-and factory workers in high boots. They had sung "You fell a victim." A scrap of red bunting had bobbed over the heads of the crowd. That had been in 1905. As if to complete the picture, Petya heard the clickety-clack of horseshoes striking sparks on the wet granite cobbles. A Cossack patrol galloped out of a side-street. Their peakless caps were cocked at a rakish angle and short carbines dangled behind their shoulders. A whip cut the air near Petya and the strong odour of horses' sweat filled his nostrils. In an instant everything was a whirling, shouting, running mass. Petya held his cap with both hands as he jumped out of the way. He bumped into something hot. It turned over. He saw that it was a brazier outside the greengrocer's. The hot coals scattered and mixed with the smoking chestnuts. The street was empty. For days Tolstoi's death was the sole topic of conversation in Russia. Extra editions of the newspapers told the story of Tolstoi's departure from his home in Yasnaya Polyana. Hundreds of telegrams date-lined Astapovo Station described the last hours and minutes of the great writer. In a flash the tiny, unknown Astapovo Station became as world-famous as Yasnaya Polyana, and the name of the obscure station-master Ozolin who had taken the dying man into his house was on everybody's lips. Together with the names of Countess Sofya Andreyevna and Chertkov, these new names-Astapovo and Ozolin- which accompanied Tolstoi to his grave, were just as frightening to Petya as the black lettering on the white ribbons of the funeral wreaths. Petya noted with surprise that this death, which everyone regarded as a "tragedy," apparently had something to do with the government, the Holy Synod, the police, and the gendarmerie corps. Whenever he saw the bishop's carriage with a monk sitting on the box next to the coachman, or the clattering droshki of the chief of police, he was certain that both the bishop and the chief of police were rushing somewhere on urgent business connected with the death of Tolstoi. Petya had never before seen his father in such a state of mind, not actually excited, but, rather, exalted and inspired. His usually kind frank face suddenly became sterner and younger. The hair above his high, classic forehead was combed back student-fashion. But the aged, red-rimmed eyes full of tears behind his pince-nez conveyed such grief, that Petya's heart ached with pity for his father. Vasily Petrovich came in and put down two stacks of tightly bound exercise books on the table. Before changing into the old jacket he wore about the house, he took a handkerchief from the back pocket of his frock-coat with its frayed silk lapels and wiped his wet face and beard thoroughly. Then he jerked his head decisively. "Come on, boys, wash your hands and we'll eat!" Petya sensed his father's mood. He realized that Vasily Petrovich was taking Tolstoi's death badly, that for him Tolstoi was not only an adored writer, he was much more than that, almost the moral centre of his life. All this he felt keenly, but could not put his feelings into words. Petya had always responded quickly to his father's moods, and now he was deeply upset. He grew quiet, and his bright inquiring eyes never once left his father's face. Pavlik, who had just turned eight and had become a schoolboy, was oblivious to all that was taking place; he was completely absorbed in the affairs of his preparatory class and his first impressions of school. "During our writing lesson today we raised an obstruction!" he said, pronouncing the difficult word with obvious pleasure. "Old Skeleton ordered Kolya Shaposhnikov to leave the room although he wasn't to blame. Then we all booed with our mouths closed until Skeleton banged so hard on the desk that the ink-pot bounced up to the ceiling!" "Stop it! You should be ashamed of yourself," his father said with a pained look. Suddenly, he burst out, "Heartless brats! You should be whipped! How could you mock an unfortunate, sick teacher whose days are almost numbered? How could you be so brutal?" Then, apparently trying to answer the questions that had been worrying him all those days, he went on: "Don't you realize that the world cannot live on hate? Hate is contrary to Christianity and to plain common sense. And this at a time when they are laying to rest a man who, perhaps, is the last true Christian on earth." Father's eyes became redder still. Suddenly he smiled wanly and put his hands on the boys' shoulders. Gazing at each in turn he said: "Promise me that you will never torture your fellow-creatures." "I never did," Petya said softly. Pavlik screwed up his face and pressed his close-cropped head against Father's frock-coat which smelt of a hot iron and faintly of moth-balls. "Daddy, I'll never do it again. We didn't know what we were doing," he said, wiping his eyes with his fists and sniffling. SKELETON It's terrible, say what you like, it's terrible," Auntie said at dinner. She put down the ladle and pressed her fingers to her temples. "You can think what you like about Tolstoi- personally, I look on him as the greatest of writers-but all his non-resistance and vegetarianism are ridiculous, and as for the Russian government, its attitude in the matter is abominable. We are disgraced in the eyes of the whole world! As big a disgrace as Port Arthur, Tsushima, or Bloody Sunday." "I beg you to-" Father said anxiously. "No, please don't beg me. We have a dull-witted tsar and a dull-witted government! I'm ashamed of being a Russian." "Stop, I beg you!" Father shouted. His chin jutted forward and his beard shook slightly. "His Majesty's person is sacred. He is above criticism. I won't permit it. Especially in front of the children." "I'm sorry, I won't do it again," Auntie answered hurriedly. "Let's drop the subject." "There's just one thing I can't understand, and that is how an intelligent, kind-hearted man like you, who loves Tolstoi, can honestly regard as sacred a man who has covered Russia with gallows and who-" "For God's sake," Father groaned, "let's not discuss politics. You are an expert at turning any conversation into a political discussion! Can't we talk without getting mixed up in politics?" "My dear Vasily Petrovich, you still haven't realized that everything in our lives is politics. The government is politics. The church is politics. The schools are politics. Tolstoi is politics." "How dare you speak like that?" "But I will!" "Blasphemy! Tolstoi is not politics." "That's exactly what he is!" And for long after, while Petya and Pavlik were doing their home-work in the next room, they could hear the excited voices of Father and Auntie, interrupting each other. "Master and Man, Concession, Resurrection!" "War and Peace, Platon Karatayev!" "Platon Karatayev, too, is politics!" "Anna Karenina, Kitty, Levin!" "Levin argued communism with his brother!" "Andrei Bolkonsky, Pierre!" "The Decembrists!" "Haji Murat!" "Nikolai Palkin!" ( The derogatory nickname of Nicholas I, signifying "cudgel."-Tr). "Stop, I beg you. The children can hear us." Pavlik and Petya were sitting quietly at Father's desk, beside the bronze oil lamp with the green glass lampshade. Pavlik had finished his home-work and was busy putting together his new writing outfit of which he was still very proud. He was pasting a transfer on his pencil-box, patiently rolling up the top layer of wet paper with his finger. A multi-coloured bouquet of flowers bound with light-blue ribbons could be seen through it. He heard the voices in the dining-room, but did not pay any attention to them; his mind was full of the incident that had taken place during the writing lesson earlier" in the day. The "obstruction," which at first sight seemed such a daring and funny prank, now appeared in another light altogether. Pavlik could not banish the horrible scene from his eyes. There at the blackboard stood the teacher, old Skeleton. He was in the last stages of consumption and was ghastly thin. His blue frock-coat hung loosely about his shoulders. It was too long and old, and very worn, but there were new gold buttons on it. His starched dickey bulged casually on his sunken chest and a skinny neck protruded from the wide greasy collar. Skeleton stood stock-still for a moment or two, challenging the class with his dark eyes. Then he turned swiftly to the blackboard, picked up a piece of chalk with his thin, transparent fingers, and began tracing out the letters. In the ominous quiet they could hear the scratching of the chalk on the slate: a light, delicate touch when he outlined a feathery curlicue and a loud screech as he drew an amazingly straight line at a slant. Skeleton would crouch and then suddenly straighten again, just like a puppet. He'd cock his head to one side, utterly oblivious to his surroundings, and either sing out "stro-o-ke" in a high thin voice, or "line" in a deep rasping one. "Stroke, line. Stroke, line." Suddenly a voice from the last row, still higher and as fine as a hair, mimicked, "Stro-o-ke." Skeleton's back twitched, as if he had been stabbed, but he pretended he hadn't heard. He continued writing, but the chalk was already crumbling in his emaciated fingers, and his large shoulder-blades jerked painfully beneath the threadbare frock-coat. "Stroke, line. Stroke, line," he sang out and his neck and large ears became crimson. "Stro-o-oke! Str-rr-oke! Stro-o-oke!" mimicked someone in the last row. All of a sudden Skeleton spun round, strode rapidly down the aisle and grabbed the first boy at hand. He yanked him up from his desk, dragged him to the door, and threw him out of the class-room. Then he banged the door so hard that the panes rattled and dry putty fell all over the parquet floor. Skeleton walked back to the blackboard with heavy steps. He was wheezing loudly as he picked up the chalk and was about to continue the lesson. Just then he heard the hum of steady, barely audible booing. Startled, he froze into immobility. His knees trembled visibly. His cuffs and baggy blue trousers trembled too. His black sunken eyes glared at the boys with undisguised hatred. But he had no way of finding out the culprits. They were all sitting with their mouths tightly shut, looking quite indifferent, and yet they were all booing steadily, monotonously, and imperceptibly. The whole class was booing, but no one could be accused of it. Then a tortured scream of pain and rage broke from his lips. He was jerking like a puppet as he hurled the chalk at the blackboard. It broke into bits. Skeleton stamped his foot. His eyes became bloodshot. His thin hair was plastered to his damp forehead. His neck twitched convulsively and he tore open his collar. He rushed over to his desk, hurled the chair aside, flung the class register against the wall, and began pounding the desk with his fists. He no longer heard his own voice as he shouted, "Ruffians! Ruffians!" The inkpot bounced up and down, and the purple liquid stained his loosened dickey, his bony hands and damp forehead. The scene ended when Skeleton, suddenly becoming limp, sat down on the window-sill, rested his head against the frame and was seized with a terrible coughing spell. His deeply sunken temples, almost black eye-sockets, and bared yellow teeth made his face look like the skull of a skeleton. Were it not for the sweat streaming down his forehead, one could have easily taken him for a corpse. That was the picture Pavlik could not banish from his mind. The boy felt terribly oppressed; however, his mental state in no way interfered with the job in hand. He bestowed special care on transferring the picture, for he did not want to make a hole in the wet paper and spoil the bouquet and light-blue ribbons that looked so bright in the light of the lamp. Petya, meanwhile, was absent-mindedly leafing through a thick notebook. There were emblems scratched out on the black oilskin cover-an anchor, a heart pierced with an arrow and several mysterious initials. He was listening to Father and Auntie arguing in the dining-room. Some words were repeated more often than others; they were: "freedom of thought," "popular government," "constitution," and, finally, that burning word-"revolution." "Mark my words, it will all end in another revolution," Auntie said. "You're an anarchist!" Father shouted shrilly. "I'm a Russian patriot!" "Russian patriots have faith in their tsar and their government!" "Have you faith in them?" "Yes, I have!" Then Petya heard Tolstoi mentioned once more. "Then why did this tsar and this government in whom you have such faith excommunicate Tolstoi and ban his books?" "To err is human. They look on Tolstoi as a politician, almost a revolutionary, but Tolstoi is simply the world's greatest writer and the pride of Russia. He is above all your parties and revolutions. I'll prove that in my speech." "Do you think the authorities will allow you to say that?" "I don't need permission to say in public that Lev Tolstoi is a great Russian writer." "That's what you think." "I don't think it-I am absolutely sure!" "You're an idealist. You don't know the kind of country you're living in. I beg you not to do that! They'll destroy you. Take my advice." WHAT IS A RED? Petya woke up in the middle of the night and saw Vasily Petrovich sitting at his desk in his shirtsleeves. Petya was used to seeing his father correct exercise-books at night. This time, however, Father was doing something else. The stacks of exercise-books were lying untouched, and he was writing something rapidly in his fine hand. Little fat volumes of an old edition of Tolstoi's works were scattered about the desk. "Daddy, what are you writing?" "Go to sleep, sonny," Vasily Petrovich said. He walked over to the bed, kissed Petya, and made the sign of the cross over him. The boy turned his pillow, laid his head on the cool side and fell asleep again. Before he dozed off he heard the rapid scratching of a pen, the faint clinking of the little icon at the head of his bed, saw his father's dark head next to the green lamp-shade, the warm grow of the candle flame in the corner beneath the big icon, and the dry palm branch that cast a mysterious shadow on the wallpaper, as always bringing to mind the branch of Palestine, the poor sons of Solim, and the wonderful soothing music of Lermontov's poem: Peace and silence all around, On the earth and in the sky.... Next morning, while Vasily Petrovich was busy washing, combing his hair, and fastening a black tie to a starched collar, Petya had a chance to see what his father had been writing during the night. An ancient home-made exercise-book sewn together with coarse thread lay on the desk. Petya recognized it immediately. Its usual place was in Father's dresser, next to the other family relics: the yellowed wedding candles, a spray of orange blossom, his dead mother's white kid gloves and little bead bag, her tiny mother-of-pearl opera-glasses, some dried leaves of a wild pear tree that grew on Lermontov's grave, and a collection of odds and ends which, in Petya's view, were just junk, but to Vasily Petrovich very precious. Petya had leafed through the exercise-book once before. Half of it was taken up with la speech Vasily Petrovich had written on the hundredth anniversary of Pushkin's birth; there had not been anything in the other half. The boy now saw that a new speech filled up this yellowed half of the book. It was written in the same fine hand, and its subject was Tolstoi's death. This is how it began: "A great Russian writer is dead. Our literary sun has set." Vasily Petrovich put on a pair of new cuffs and his best hollow-gold cufflinks, carefully folded the exercise-book in two and put it in his side-pocket. Petya watched his father drink a quick glass of tea and then proceed to the hall where he put on his heavy coat with the frayed velvet collar. The boy noticed that his fingers were trembling and his pince-nez was shaking on his nose. For some reason, Petya suddenly felt terribly sorry for his father. He went over to him and brushed against his coat-sleeve, as he used to do when he was a very small boy. "Never mind, we'll show them yet!" Father said and patted his son's back. "I still advise you against it," Auntie said solemnly as she looked into the hall. "You're wrong," Vasily Petrovich replied in a soft tremulous voice. He put on his wide-brimmed black hat and went out quickly. "God grant that I am wrong!" Auntie sighed. "Come on, boys, stop wasting time or you'll be late for school," she added and went over to help Pavlik, her favourite, buckle on his satchel, as he had not yet mastered the fairly simple procedure. The day slipped by, a short and, at the same time, an interminably long and dreary November day, full of a vague feeling of expectation, furtive rumour, and endless repetition of the same agonizing words: "Chertkov," "Sofya Andreyevna," "Astapovo," "Ozolin." It was the day of Tolstoi's funeral. Petya had spent all his life on the southern sea coast, in the Novorossiisk steppe region, and had never seen a forest. But now he had a very clear mental picture of Yasnaya Polyana, of woods fringing an overgrown ravine. In his mind's eye Petya saw the black trunks of the ancient, leafless lindens, and the plain pine coffin containing the withered, decrepit body of Lev Tolstoi being lowered into the grave without priest or choir boys attending. And overhead the boy could see the ominous clouds and flocks of crows, exactly like those that circled over the church steeple and the bleak Kulikovo Field in the rainy twilight. As usual, Father returned from his classes when the lamp had been lit in the dining-room. He was excited, happy and deeply moved. When Auntie, not without anxiety, asked him whether he had delivered his speech and what the reaction had been, Vasily Petrovich could not restrain the proud smile that flashed radiantly beneath his pince-nez. "You could have heard a pin drop," he said, taking his handkerchief out of his back-pocket and wiping his damp beard. "I never expected the young bounders to respond so eagerly and seriously. And that goes for the young ladies too. I repeated it for the seventh form of the Maryinsky School." "Were you actually given permission to do so?" "I didn't ask anyone's permission. Why should I? I hold that the literature teacher is fully entitled to discuss with his class the personality of any famous Russian writer, especially when the writer in question happens to be Tolstoi. What is more, I believe that it is my duty to do so." "You're so reckless." Later in the evening some young people, strangers to the family, dropped in: two students in very old, faded caps, and a young woman who also seemed to be a student. One of the youths sported a crooked pince-nez on a black ribbon, wore top-boots, smoked a cigarette and emitted the smoke through his nostrils; the young woman had on a short jacket and kept pressing her little chapped hands to her bosom. For some reason or other they were reluctant to come into the rooms, and remained in the hall talking with Vasily Petrovich for a long time. The deep, rumbling bass seemed to belong to the student with the pince-nez, and the pleading, lisping voice of the young woman kept repeating the same phrase over and over again at regular intervals: "We feel certain that as a progressive and noble-minded person and public figure, you won't refuse the student body this humble request." The third visitor kept wiping his wet shoes shyly on the door mat and blowing his nose discreetly. It turned out that news of Vasily Petrovich's talk had somehow reached the Higher Courses for Women and the Medical School of the Imperial University in Odessa, and the student delegation had come to express their solidarity and also to request him to repeat his lecture to a Social-Democratic student circle. Vasily Petrovich, while flattered, was unpleasantly surprised. He thanked the young people but categorically refused to address the Social-Democratic circle. He told them that he had never belonged to any party and had no intention of ever joining one, and added that he would regard any attempt to turn Tolstoi's death into something political as a mark of disrespect towards the great writer, as Tolstoi's abhorrence of all political parties and his negative attitude to politics generally were common knowledge. "If that's the case, then please excuse us," the young lady said dryly. "We are greatly disappointed in you. Comrades, let's go." The young people departed with dignity, leaving behind the odour of cheap tobacco and wet footprints on the doorstep. "What an astonishing thing!" Vasily Petrovich said as he strode up and down the dining-room, wiping his pince-nez on the lining of his house jacket. "It's really astonishing how people always find an excuse to talk politics!" "I warned you," Auntie said. "And I'm afraid the consequences will be serious." Auntie's premonition turned out to be correct, although the results were not as immediate as she had expected. At least a month went by before the trouble began. Actually, the approaching events cast a few shadows before them. However, they seemed so vague that the Bachei family paid little attention to them. "Daddy, what's a 'red'?" Pavlik asked unexpectedly, as was his wont, at dinner one day, his shining, naive eyes fixed on Father. "Really, now!" Vasily Petrovich said. He was in excellent spirits. "It's a somewhat strange question. I'd say that red means . . . well-not blue, yellow, nor brown, h'm, and so on." "I know that. But I'm talking about people, are there red people?" "Oh, so that's what you mean! Of course there are. Take the North American Indians, for example. The so-called redskins." "They haven't got to that yet in their preparatory class," Petya said haughtily. "They're still infants." Pavlik ignored the insult. He kept his eyes on Father and asked: "Daddy, does that mean you're an Indian?" "Basically, no." Father laughed so loudly and boisterously that the pince-nez fell off his nose and all but landed in his soup. "Then why did Fedya Pshenichnikov say you were a red?" "Oho! That's interesting. Who is this Fedya Pshenichnikov?" "He's in my form. His father is senior clerk in the Governor's office in Odessa." "Well! If that's the case, then perhaps your Fedya knows best. However, I think you can see for yourself that I'm not red, the only time I ever get red is during severe frost." "I don't like this," Auntie commented. Not long afterwards a certain Krylevich, the bookkeeper of the mutual aid society at the boy's school where Vasily Petrovich taught, -dropped in one evening to see him about some savings-bank matters. When they had disposed of the matter, Krylevich, whom Vasily Petrovich had always found to be an unpleasant person, remained for tea. He stayed for an hour and a half, was incredibly boring, and kept turning the conversation to Tolstoi, praising Vasily Petrovich for his courage, and begging him for his notes, saying he wanted to read them at home. Father refused, and his refusal upset Krylevich. Standing in front of the mirror in the hall, putting on his flat, greasy cap with the cockade of the Ministry of Education, he said with a sugary smile: "I'm sorry you don't want to give me the pleasure, really sorry. Your modesty is worse than pride." His visit left a nasty after-taste. There were other minor happenings of the same order; for instance, some of their acquaintances would greet Vasily Petrovich in the street with exaggerated politeness, while others, on the' contrary, were unusually curt and made no attempt to conceal their disapproval. Then, just before Christmas, the storm broke. ` A HEAVY BLOW Pavlik, who had just been "let out" for the holidays, was walking up and down in front of the house in his overlong winter topcoat, meant to last several seasons, and his new galoshes which made such a pleasant crunching sound and left such first-rate dotted prints with an oval trade mark in the middle on the fresh December snow. His report-card for the second quarter was in his satchel. His marks were excellent, there were no unpleasant reprimands and he even had "excellent" for attention, diligence, and behaviour, which, to tell the truth, was overdoing it a bit. But, thanks to his innocent chocolate-brown crystal-clear eyes, Pavlik had the happy knack of always landing on his feet. The boy's mood harmonized with the holiday season, and only one tiny little worm of anxiety wriggled down in the deep recesses of his soul. The trouble was that today, after the last lesson, the preparatory class, throwing caution to the winds, had organized another "obstruction." This time they took revenge on the doorman who had refused to let them out before the bell rang. The boys got together and tossed somebody's galosh into the cast-iron stove that stood next 'to the cloak-room, with the result that a column of acrid smoke rose up, and the doorman had to flood the stove with water. At that moment the bell rang, and the preparatory class scattered in a body. Now Pavlik was worried that the inspector might get to know about their prank, and that would lead to serious complications. This was the sole blot in his feeling of pure joy at the thought of the holidays ahead. Suddenly Pavlik saw what he feared most. A messenger was coming down the street and heading straight for him; he wore a cap with a blue band land his coat was trimmed with a lambskin collar from which Pavlik could see the blue stand-up collar of his tunic. He was carrying a large cardboard-bound register under his arm. The messenger walked up leisurely to the gate, looked at the triangular lamp with the house number underneath it, and stopped. Pavlik's heart sank. "Where do the Bacheis live?" the messenger asked. Pavlik realized that his end had come. There could be no doubt that this was an official note to his father concerning the behaviour of Pavel Bachei, preparatory-class pupil-in other words, the most dreadful fate that could befall a schoolboy. "What is it? Do they want Father?" Pavlik asked with a sickly smile. He did not recognize his own voice and blushed a deep crimson as he added, "You can give it to me, I'll deliver it and you won't have to climb the stairs!" "I must have his signature," the messenger said sternly, curling his big moustache. "Second floor, number four," Pavlik whispered and felt hot, choked, nauseous, and scared to death. It never dawned on the boy that the messenger was a stranger. And in any case, this being his first year at school, he could not possibly know all the personnel. The moment the front door closed after the messenger the light went out for Pavlik. The world with all its beauty and freshness no longer existed for him. It had vanished on the instant. The crimson winter sun was setting beyond the blue-tinted snow-covered Kulikovo Field and the station; the bells of the frozen cab horse around the corner tinkled as musically as ever; the pots of hot cranberry jelly, set out on the balconies to cool, were steaming as usual, the coat of delicate pale-blue snow on the balcony railings and the steam curling over the pots seemed as cranberry-red as the cooling jelly itself; the street, full of the holiday spirit, was as gay and as lively as ever. Pavlik no longer noticed any of this. At first he made up his mind that he would never go home again-he would roam the streets until he died of hunger or froze to death. Then, after he 'had walked around the side-streets, he took a sacred vow to change his whole way of life and never, never take part in any "obstructions" again; moreover, he would be a model pupil, the best-behaved boy not only in Odessa, but in all Russia, and thus earn Father's and Auntie's forgiveness. Then he began to feel sorry for himself, for his ruined life, and even started to cry, smearing the tears all over his face. In the end pangs of hunger drove him, home and, utterly exhausted with suffering, he appeared on the threshold after the lamps had been lit. Pavlik was ready to confess and repent when he suddenly noticed that the whole family was in a state of great excitement. The excitement, apparently, had nothing at all to do with the person of Pavlik, as no one paid the slightest attention to him when he came in. The dining-room table had not been cleared. Father was striding from room to room, his shoes squeaking loudly and 'his coat-tails flying. There were red spots on his face. "I told you. I warned you," Auntie kept repeating, as she swung back and forth on the swivel stool in front of the piano with its wax-spotted silver candlesticks. Petya was breathing on the window-pane and etching with his finger the words, "Dear sir, Dear sir." It turned out that the messenger had been from the office of the Education Department and had nothing to do with the gymnasium at all. He had delivered a message to Councillor Bachei, requesting him to appear the following day "to explain the circumstances which prompted him to deliver an unauthorized speech to his students on the occasion of Count Tolstoi's death." When Vasily Petrovich returned from the Education Department next day, he sat down in the rocker in his frock-coat and folded his arms behind his head. The moment Petya saw his pale forehead and trembling jaw, he knew something terrible had happened. Father was reclining on the wicker back of the chair and rocking nervously, shoving off with the toe of his squeaking shoe. "Vasily Petrovich, for God's sake, tell me what happened," Auntie said finally, her kind eyes wide with fright. "Please, leave me alone!" Father said with an effort, and his jaw twitched more violently. His pince-nez had slid down, and Petya saw two tiny pink dents on the bridge of his nose which gave his face the appearance of helpless suffering. The boy recalled that he had had this same look when Mother had died and lay in a white coffin covered with hyacinths; then, too, Father had rocked back and forth nervously, arms folded behind his head, his eyes filled with tears. Petya walked over to Father, put his arms around his shoulders, which bore faint traces of dandruff, and hugged him. "Daddy, don't!" he said gently. Father shook the boy's arms off, jumped up, and gesticulated so violently that his starched cuffs popped out with a snap. "In the name of Our Lord Jesus Christ-leave me alone!" he shouted in an agonized voice and fled into the room that was both his study and bedroom and the boys' room as well. He divested himself of jacket and shoes, lay down and turned his face to the wall. At the sight of Father lying huddled up, of his white socks and the blue steel buckle on the crumpled back of his waistcoat, Petya broke down and began to cry, wiping his tears on his sleeve. What actually had taken place at the Education Department? To begin with, Vasily Petrovich had spent a long and uncomfortable time sitting alone in the cold, officially sumptuous waiting-room on a gilded blue velvet chair of the kind usually seen in museums or theatre lobbies. Then a dandified official in the uniform of the Ministry of Education appeared, his figure reflected in the parquet floor, and informed Vasily Petrovich that His Excellency would see him. His Excellency was sitting behind an enormous writing-desk. He was hunchbacked and, like most hunchbacks, was very short, so that nothing could be seen of him above the massive malachite desk set with two bronze malachite candelabra, except a proud, malicious head, iron grey land closely-cropped, propped up by a high starched collar and white tie. He was wearing his formal civil service dress-coat with decorations. "Why did you take the liberty of appearing here without your uniform?" His Excellency demanded, without offering the caller a seat or getting up himself. Vasily Petrovich was taken aback, but when he tried to picture his old uniform with the rows of holes where Petya had once yanked the buttons off together with the cloth, he smiled good-naturedly, to his own surprise, and even waved his hands somewhat humorously. "I would request you not to act the clown. Don't wave your arms about: you are in an office, not on the stage." "My dear sir!" Vasily Petrovich said as the blood rushed to his face. "Silence!" barked the official in the best departmental manner, as he crashed his