Îãëàâëåíèå ôàéëà ( /LYNX/INOOLD/WORDSWORD_W/wordsworth1_1.txt )



  • Óèëüÿì Âîðäñâîðò. Èçáðàííàÿ ëèðèêà

  • CONTENTS

  • ÏÅÂÅÖ ÎÇÅÐÍÎÃÎ ÊÐÀß

  • x x x

  • THE FEMALE VAGRANT

  • ÑÒÐÀÍÍÈÖÀ

  • GOODY BLAKE AND HARRY GILL

  • ÃÓÄÈ ÁËÅÉÊ È ÃÀÐÐÈ ÄÆÈËË

  • LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT

  • ÑÒÈÕÈ, ÍÀÏÈÑÀÍÍÛÅ ÍÅÏÎÄÀËÅÊÓ ÎÒ ÄÎÌÀ È ÏÅÐÅÄÀÍÍÛÅ ÌÎÈÌ ÌÀËÜ×ÈÊÎÌ ÒÎÉ,

  • SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED

  • ÑÀÉÌÎÍ ËÈ

  • ANECDOTE FOR FATHERS, SHEWING HOW THE ART OF LYING MAY BE TAUGHT

  • ÈÑÒÎÐÈß ÄÍß ÎÒÖÎÂ, ÈËÈ ÊÀÊ ÌÎÆÍÎ ÂÎÑÏÈÒÀÒÜ ÏÐÈÂÛ×ÊÓ ÊÎ ËÆÈ

  • WE ARE SEVEN

  • ÍÀÑ ÑÅÌÅÐÎ

  • LINES WRITTEN IN EARLY SPRING

  • ÑÒÐÎÊÈ, ÍÀÏÈÑÀÍÍÛÅ ÐÀÍÍÅÞ ÂÅÑÍÎÉ

  • THE THORN

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • XI

  • XII

  • XIII

  • XIV

  • XV

  • XVI

  • XVII

  • XVIII

  • XIX

  • XX

  • XXI

  • XXII

  • ÒÏÐÍ

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • XI

  • XII

  • XIII

  • XIV

  • XV

  • XVI

  • XVII

  • XVIII

  • XIX

  • XX

  • XXI

  • XXII

  • THE LAST OF THE FLOCK

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • ÏÎÑËÅÄÍÈÉ ÈÇ ÑÒÀÄÀ

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • THE MAD MOTHER

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • ÁÅÇÓÌÍÀß ÌÀÒÜ

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • THE IDIOT BOY

  • ÑËÀÁÎÓÌÍÛÉ ÌÀËÜ×ÈÊ

  • LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING

  • ÑÒÈÕÈ, ÍÀÏÈÑÀÍÍÛÅ ÂÅ×ÅÐÎÌ Ó ÒÅÌÇÛ ÂÁËÈÇÈ ÐÈ×ÌÎÍÄÀ

  • EXPOSTULATION AND REPLY

  • ÓÂÅÙÅÂÀÍÜÅ È ÎÒÂÅÒ

  • THE TABLES TURNED, AN EVENING SCENE ON THE SAME SUBJECT

  • ÂÑÏ ÍÀÎÁÎÐÎÒ

  • OLD MAN TRAVELLING

  • ÑÒÐÀÍÑÒÂÓÞÙÈÉ ÑÒÀÐÈÊ

  • THE COMPLAINT OF A FORSAKEN INDIAN WOMAN

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • ÆÀËÎÁÀ ÏÎÊÈÍÓÒÎÉ ÈÍÄÈÀÍÊÈ

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS

  • ÑÒÐÎÊÈ, ÍÀÏÈÑÀÍÍÛÅ ÍÀ ÐÀÑÑÒÎßÍÈÈ ÍÅÑÊÎËÜÊÈÕ ÌÈËÜ ÎÒ ÒÈÍÒÅÐÍÑÊÎÃÎ ÀÁÁÀÒÑÒÂÀ

  • THERE WAS A BOY

  • ÌÀËÜ×ÈÊ

  • LUCY

  • I

  • II

  • III

  • V

  • ËÞÑÈ

  • I

  • II

  • III

  • V

  • LUCY GRAY, OR SOLITUDE

  • ËÞÑÈ ÃÐÅÉ

  • THE BROTHERS

  • ÁÐÀÒÜß

  • MICHAEL

  • ÌÀÉÊË

  • TO JOANNA

  • ÑÊÀËÀ ÄÆÎÀÍÍÛ

  • SONG FOR THE WANDERING JEW

  • ÀÃÀÑÔÅÐ

  • POEMS DEDICATED TO NATIONAL INDEPENDENCE AND LIBERTY

  • x x x

  • ÑÒÈÕÈ, ÏÎÑÂßÙÅÍÍÛÅ ÍÀÖÈÎÍÀËÜÍÎÉ ÍÅÇÀÂÈÑÈÌÎÑÒÈ È ÑÂÎÁÎÄÅ

  • x x x

  • CALAIS, AUGUST 15, 1802

  • x x x

  • ON THE EXTINCTION OF THE VENETIAN REPUBLIC

  • ÒÓÑÑÅÍÓ ËÓÂÅÐÒÞÐÓ

  • SONNET WRITTEN IN LONDON, SEPTEMBER, 1802

  • ÀÍÃËÈß, 1802

  • LONDON, 1802

  • ËÎÍÄÎÍ, 1802

  • x x x

  • x x x

  • COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802

  • ÑÎÍÅÒ, ÍÀÏÈÑÀÍÍÛÉ ÍÀ ÂÅÑÒÌÈÍÑÒÅÐÑÊÎÌ ÌÎÑÒÓ 3 ÑÅÍÒßÁÐß 1802 ÃÎÄÀ

  • COMPOSED BY THE SEA-SIDE NEAR CALAIS, AUGUST 1802

  • ÍÀÏÈÑÀÍÍÎÅ ÍÀ ÌÎÐÑÊÎÌ ÏÎÁÅÐÅÆÜÅ ÁËÈÇ ÊÀËÅ, ÀÂÃÓÑÒ 1802

  • x x x

  • x x x

  • x x x

  • x x x

  • PERSONAL TALK

  • x x x

  • ÆÈÒÅÉÑÊÈÅ ÒÅÌÛ

  • x x x

  • x x x

  • x x x

  • TO SLEEP

  • ÑÎÍ

  • TO SLEEP

  • x x x

  • x x x

  • x x x

  • TO A BUTTERFLY

  • Ê ÌÎÒÛËÜÊÓ

  • x x x

  • x x x

  • x x x

  • x x x

  • WRITTEN IN MARCH

  • ÍÀÏÈÑÀÍÍÎÅ Â ÌÀÐÒÅ

  • TO A BUTTERFLY

  • x x x

  • THE GREEN LINNET

  • ÇÅËÅÍÛÉ ÐÅÏÎËÎÂ

  • THE SOLITARY REAPER

  • ÎÄÈÍÎÊÀß ÆÍÈÖÀ

  • TO THE CUCKOO

  • ÊÓÊÓØÊÀ

  • x x x

  • x x x

  • x x x

  • ÍÀÐÖÈÑÑÛ

  • THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE

  • I

  • II

  • III

  • IV

  • V

  • VI

  • ÇÀÌÎÊ ÁÈÍÍÎÐÈ

  • TO THE SPADE OF A FRIEND

  • ËÎÏÀÒÅ ÄÐÓÃÀ

  • ELEGIAC STANZAS, SUGGESTED BY A PICTURE OF PEEL

  • ÝËÅÃÈ×ÅÑÊÈÅ ÑÒÐÎÔÛ, ÂÍÓØÅÍÍÛÅ ÊÀÐÒÈÍÎÉ ÑÝÐÀ ÄÆÎÐÄÆÀ

  • A COMPLAINT

  • ÑÎÆÀËÅÍÈÅ

  • GIPSIES

  • ÖÛÃÀÍÛ

  • x x x

  • x x x

  • A NIGHT-PIECE

  • ÍÎ×Ü

  • INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING

  • ÂËÈßÍÈÅ ÏÐÈÐÎÄÛ ÍÀ ÐÀÇÂÈÒÈÅ ÂÎÎÁÐÀÆÅÍÈß Â ÄÅÒÑÒÂÅ È ÐÀÍÍÅÉ ÞÍÎÑÒÈ

  • LAODAMIA

  • ËÀÎÄÀÌÈß

  • x x x

  • x x x

  • THE FRENCH AND THE SPANISH GUERILLAS

  • ÔÐÀÍÖÓÇÛ È ÈÑÏÀÍÑÊÈÅ ÏÀÐÒÈÇÀÍÛ

  • x x x

  • x x x

  • x x x

  • x x x

  • SEPTEMBER 1815

  • ÁËÈÇÎÑÒÜ ÎÑÅÍÈ

  • x x x

  • x x x

  • x x x

  • x x x

  • THE RIVER DUDDON

  • x x x

  • ÑÎÍÅÒÛ Ê ÐÅÊÅ ÄÀÄÄÎÍ

  • x x x

  • x x x

  • x x x

  • x x x

  • Ó ÈÑÒÎÊÀ

  • THE PLAIN OF DONNERDALE

  • ÄÎÍÍÅÐÄÅËÜÑÊÀß ÄÎËÈÍÀ

  • AFTER-THOUGHT

  • ÏÐÎÙÀËÜÍÛÉ ÑÎÍÅÒ ÐÅÊÅ ÄÀÄÄÎÍ

  • ÑÎÍ ÏÈËÈÃÐÈÌÀ

  • SEPTEMBER 1819

  • ÑÅÍÒßÁÐÜ

  • ON SEEING A TUFT OF SNOWDROPS IN A STORM

  • x x x

  • SONG FOR THE SPINNING WHEEL

  • ÏÅÑÍß ÇÀ ÏÐßËÊÎÉ

  • THE HAUNTED TREE

  • ÎÊÎËÄÎÂÀÍÍÛÉ ÄÓÁ

  • MUTABILITY

  • ÈÇÌÅÍ×ÈÂÎÑÒÜ

  • Â ÊÀÏÅËËÅ ÊÎÐÎËÅÂÑÊÎÃÎ ÊÎËËÅÄÆÀ Â ÊÅÌÁÐÈÄÆÅ

  • LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • ÆÀËÎÁÀ ÌÝÐÈ, ÊÎÐÎËÅÂÛ ØÎÒËÀÍÄÖÅÂ, Â ÊÀÍÓÍ ÍÎÂÎÃÎ ÃÎÄÀ

  • I

  • II

  • III

  • IV

  • V

  • VI

  • VII

  • VIII

  • IX

  • X

  • TO --

  • x x x

  • TO A SKY-LARK

  • ÆÀÂÎÐÎÍÊÓ

  • x x x

  • x x x

  • ÂÎÄÎÏÀÄ

  • THE TROSACHS

  • ÒÐÎÑÑÅÊÑ

  • x x x

  • ÂÅ×ÅÐÍÈÅ ÈÌÏÐÎÂÈÇÀÖÈÈ

  • ÃÍÅÇÄÎ ÏÅÍÎ×ÊÈ

  • x x x

  • x x x

  • x x x

  • ÂÍÓÒÐÅÍÍÅÅ ÇÐÅÍÈÅ

  • x x x

  • x x x

  • COMPOSED ON A MAY MORNING, 1838

  • ÑÎ×ÈÍÅÍÎ ÌÀÉÑÊÈÌ ÓÒÐÎÌ, 1838

  • THE SIMPLON PASS

  • ÑÈÌÏËÎÍÑÊÈÉ ÏÅÐÅÂÀË

  • x x x

  • x x x

  • ÃÀÐÐÈ-ÃÈËËÜ

  • ÍÀÑ ÑÅÌÅÐÎ

  • ÍÀÑ ÑÅÌÅÐÎ

  • x x x

  • ÏÅÑÍß ÂÅ×ÍÎÃÎ ÆÈÄÀ

  • ÏÀÄÅÍÈÅ ÂÅÍÅÖÈÀÍÑÊÎÉ ÐÅÑÏÓÁËÈÊÈ

  • Ê ÌÈËÜÒÎÍÓ

  • ËÎÍÄÎÍ, 1802

  • ËÎÍÄÎÍ, 1802. ÌÈËÜÒÎÍ

  • x x x

  • x x x

  • x x x

  • ÁÅÑÑÎÍÍÈÖÀ

  • ÌÎÒÛËÜÊÓ

  • Ê ÊÓÊÓØÊÅ

  • ÊÓÊÓØÊÀ

  • ÆÅËÒÛÅ ÍÀÐÖÈÑÑÛ

  • x x x

  • x x x

  • ÃËßÄß ÍÀ ÎÑÒÐÎÂÎÊ ÖÂÅÒÓÙÈÕ ÏÎÄÑÍÅÆÍÈÊΠ ÁÓÐÞ

  • ÄÀËÅÊÎÌÓ ÄÐÓÃÓ

  • ÑÒÐÎÊÈ, ÎÑÒÀÂËÅÍÍÛÅ ÍÀ ÊÀÌÍÅ Â ÐÀÇÂÅÒÂËÅÍÈÈ ÒÈÑÎÂÎÃÎ ÄÅÐÅÂÀ, ÑÒÎßÙÅÃÎ 

  • THE FEMALE VAGRANT 

  • LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT BY MY LITTLE BOY 

  • SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED 

  • ANECDOTE FOR FATHERS 

  • WE ARE SEVEN 

  • LINES WRITTEN IN EARLY SPRING 

  • THE THORN 

  • THE LAST OF THE FLOCK 

  • THE MAD MOTHER 

  • THE IDIOT BOY 

  • LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING 

  • THE COMPLAINT OF A FORSAKEN INDIAN WOMAN 

  • LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS 

  • THERE WAS A BOY 

  • "STRANGE FITS OF PASSION HAVE I KNOWN...", "SHE DWELT AMONG THE UNTRODDEN 

  • LUCY GRAY, OR SOLITUDE 

  • THE BROTHERS 

  • ÒÎ JOANNA 

  • SONG FOR THE WANDERING JEW 

  • "I GRIEVED FOR BUONAPARTE, WITH A VAIN..." 

  • "CALAIS, AUGUST 15, 1802" 

  • ON THE EXTINCTION OF THE VENETIAN REPUBLIC 

  • SONNET WRITTEN IN LONDON, SEPTEMBER, 1802 

  • LONDON, 1802 

  • "NUNS FRET NOT AT THEIR CONVENTS NARROW ROOM..." 

  • COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802 

  • "IT IS A BEAUTEOUS EVENING, CALM AND FREE..." 

  • "I AM NOT ONE WHO MUCH OR OFT DELIGHT..." 

  • ""BELOVED VALE!, I SAID, "WHEN I SHALL CON..."" 

  • "WITH SHIPS THE SEA WAS SPRINKLED FAR AND NIGH..." 

  • ÒÎ A BUTTERFLY 

  • "MY HEART LEAPS UP WHEN I BEHOLD..." 

  • "AMONG ALL LOVELY THINGS MY LOVE HAD BEEN..." 

  • WRITTEN IN MARCH 

  • TO A BUTTERFLY 

  • THE GREEN LINNET 

  • THE SOLITARY REAPER 

  • TO THE CUCKOO 

  • "SHE WAS A PHANTOM OF DELIGHT..." 

  • "I WANDERED LONELY AS A CLOUD..." 

  • THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE 

  • ÒÎ THE SPADE OF A FRIEND. 

  • A COMPLAINT 

  • A NIGHT-PIECE ÍÎ×Ü 

  • INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING THE 

  • LAODAMIA 

  • THE FRENCH AND THE SPANISH GUERILLAS 

  • "WEAK IS THE WILL OF MAN, HIS JUDGEMENT BUND..." 

  • "SURPRISED BY JOY-IMPATIENT AS THE WIND..." 

  • SEPTEMBER 1815 

  • "HAIL, TWILIGHT, SOVEREIGN OF ONE PEACEFUL HOUR!.." 

  • "HOW SHALL I PAINT THEE..." 

  • AFTER-THOUGHT 

  • ON SEEING A TUFT OF SNOWDROPS IN A STORM 

  • SONG FOR THE SPINNING WHEEL 

  • THE HAUNTED TREE 

  • MUTABILITY 

  • LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR 

  • THE TROSACHS 

  • "CALM IS THE FRAGRANT AIR, AND LOTH TO LOSE..." 

  • "IF THIS GREAT WORLD OF JOY AND PAIN..." 

  • "MOST SWEET IT IS WITH UNUPLIFTED EYES..." 

  • "WHY ART THOU SILENT! IS THY LOVE A PLANT..." 

  • COMPOSED ON A MAY MORNING, 1838 

  • THE SIMPLON PASS 

  • "THOUGH THE BOLD WINGS OF POESY AFFECT..."
    • Size: 697700 bytes
    Last-modified: Wed, 09 Nov 2005 18:16:31 GMT

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