Óèëüÿì Âîðäñâîðò. Èçáðàííàÿ ëèðèêà
CONTENTS
ÏÅÂÅÖ ÎÇÅÐÍÎÃÎ ÊÐÀß
x x x
THE FEMALE VAGRANT
ÑÒÐÀÍÍÈÖÀ
GOODY BLAKE AND HARRY GILL
ÃÓÄÈ ÁËÅÉÊ È ÃÀÐÐÈ ÄÆÈËË
LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT
ÑÒÈÕÈ, ÍÀÏÈÑÀÍÍÛÅ ÍÅÏÎÄÀËÅÊÓ ÎÒ ÄÎÌÀ È ÏÅÐÅÄÀÍÍÛÅ ÌÎÈÌ ÌÀËÜ×ÈÊÎÌ ÒÎÉ,
SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED
ÑÀÉÌÎÍ ËÈ
ANECDOTE FOR FATHERS, SHEWING HOW THE ART OF LYING MAY BE TAUGHT
ÈÑÒÎÐÈß ÄÍß ÎÒÖÎÂ, ÈËÈ ÊÀÊ ÌÎÆÍÎ ÂÎÑÏÈÒÀÒÜ ÏÐÈÂÛ×ÊÓ ÊÎ ËÆÈ
WE ARE SEVEN
ÍÀÑ ÑÅÌÅÐÎ
LINES WRITTEN IN EARLY SPRING
ÑÒÐÎÊÈ, ÍÀÏÈÑÀÍÍÛÅ ÐÀÍÍÅÞ ÂÅÑÍÎÉ
THE THORN
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX
XXI
XXII
ÒÏÐÍ
I
II
III
IV
V
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
XV
XVI
XVII
XVIII
XIX
XX
XXI
XXII
THE LAST OF THE FLOCK
I
II
III
IV
V
VI
VII
VIII
IX
X
ÏÎÑËÅÄÍÈÉ ÈÇ ÑÒÀÄÀ
I
II
III
IV
V
VI
VII
VIII
IX
X
THE MAD MOTHER
I
II
III
IV
V
VI
VII
VIII
IX
X
ÁÅÇÓÌÍÀß ÌÀÒÜ
I
II
III
IV
V
VI
VII
VIII
IX
X
THE IDIOT BOY
ÑËÀÁÎÓÌÍÛÉ ÌÀËÜ×ÈÊ
LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING
ÑÒÈÕÈ, ÍÀÏÈÑÀÍÍÛÅ ÂÅ×ÅÐÎÌ Ó ÒÅÌÇÛ ÂÁËÈÇÈ ÐÈ×ÌÎÍÄÀ
EXPOSTULATION AND REPLY
ÓÂÅÙÅÂÀÍÜÅ È ÎÒÂÅÒ
THE TABLES TURNED, AN EVENING SCENE ON THE SAME SUBJECT
ÂÑÏ ÍÀÎÁÎÐÎÒ
OLD MAN TRAVELLING
ÑÒÐÀÍÑÒÂÓÞÙÈÉ ÑÒÀÐÈÊ
THE COMPLAINT OF A FORSAKEN INDIAN WOMAN
I
II
III
IV
V
VI
VII
ÆÀËÎÁÀ ÏÎÊÈÍÓÒÎÉ ÈÍÄÈÀÍÊÈ
I
II
III
IV
V
VI
VII
LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS
ÑÒÐÎÊÈ, ÍÀÏÈÑÀÍÍÛÅ ÍÀ ÐÀÑÑÒÎßÍÈÈ ÍÅÑÊÎËÜÊÈÕ ÌÈËÜ ÎÒ ÒÈÍÒÅÐÍÑÊÎÃÎ ÀÁÁÀÒÑÒÂÀ
THERE WAS A BOY
ÌÀËÜ×ÈÊ
LUCY
I
II
III
V
ËÞÑÈ
I
II
III
V
LUCY GRAY, OR SOLITUDE
ËÞÑÈ ÃÐÅÉ
THE BROTHERS
ÁÐÀÒÜß
MICHAEL
ÌÀÉÊË
TO JOANNA
ÑÊÀËÀ ÄÆÎÀÍÍÛ
SONG FOR THE WANDERING JEW
ÀÃÀÑÔÅÐ
POEMS DEDICATED TO NATIONAL INDEPENDENCE AND LIBERTY
x x x
ÑÒÈÕÈ, ÏÎÑÂßÙÅÍÍÛÅ ÍÀÖÈÎÍÀËÜÍÎÉ ÍÅÇÀÂÈÑÈÌÎÑÒÈ È ÑÂÎÁÎÄÅ
x x x
CALAIS, AUGUST 15, 1802
x x x
ON THE EXTINCTION OF THE VENETIAN REPUBLIC
ÒÓÑÑÅÍÓ ËÓÂÅÐÒÞÐÓ
SONNET WRITTEN IN LONDON, SEPTEMBER, 1802
ÀÍÃËÈß, 1802
LONDON, 1802
ËÎÍÄÎÍ, 1802
x x x
x x x
COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802
ÑÎÍÅÒ, ÍÀÏÈÑÀÍÍÛÉ ÍÀ ÂÅÑÒÌÈÍÑÒÅÐÑÊÎÌ ÌÎÑÒÓ 3 ÑÅÍÒßÁÐß 1802 ÃÎÄÀ
COMPOSED BY THE SEA-SIDE NEAR CALAIS, AUGUST 1802
ÍÀÏÈÑÀÍÍÎÅ ÍÀ ÌÎÐÑÊÎÌ ÏÎÁÅÐÅÆÜÅ ÁËÈÇ ÊÀËÅ, ÀÂÃÓÑÒ 1802
x x x
x x x
x x x
x x x
PERSONAL TALK
x x x
ÆÈÒÅÉÑÊÈÅ ÒÅÌÛ
x x x
x x x
x x x
TO SLEEP
ÑÎÍ
TO SLEEP
x x x
x x x
x x x
TO A BUTTERFLY
Ê ÌÎÒÛËÜÊÓ
x x x
x x x
x x x
x x x
WRITTEN IN MARCH
ÍÀÏÈÑÀÍÍÎÅ Â ÌÀÐÒÅ
TO A BUTTERFLY
x x x
THE GREEN LINNET
ÇÅËÅÍÛÉ ÐÅÏÎËÎÂ
THE SOLITARY REAPER
ÎÄÈÍÎÊÀß ÆÍÈÖÀ
TO THE CUCKOO
ÊÓÊÓØÊÀ
x x x
x x x
x x x
ÍÀÐÖÈÑÑÛ
THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE
I
II
III
IV
V
VI
ÇÀÌÎÊ ÁÈÍÍÎÐÈ
TO THE SPADE OF A FRIEND
ËÎÏÀÒÅ ÄÐÓÃÀ
ELEGIAC STANZAS, SUGGESTED BY A PICTURE OF PEEL
ÝËÅÃÈ×ÅÑÊÈÅ ÑÒÐÎÔÛ, ÂÍÓØÅÍÍÛÅ ÊÀÐÒÈÍÎÉ ÑÝÐÀ ÄÆÎÐÄÆÀ
A COMPLAINT
ÑÎÆÀËÅÍÈÅ
GIPSIES
ÖÛÃÀÍÛ
x x x
x x x
A NIGHT-PIECE
ÍÎ×Ü
INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING
ÂËÈßÍÈÅ ÏÐÈÐÎÄÛ ÍÀ ÐÀÇÂÈÒÈÅ ÂÎÎÁÐÀÆÅÍÈß Â ÄÅÒÑÒÂÅ È ÐÀÍÍÅÉ ÞÍÎÑÒÈ
LAODAMIA
ËÀÎÄÀÌÈß
x x x
x x x
THE FRENCH AND THE SPANISH GUERILLAS
ÔÐÀÍÖÓÇÛ È ÈÑÏÀÍÑÊÈÅ ÏÀÐÒÈÇÀÍÛ
x x x
x x x
x x x
x x x
SEPTEMBER 1815
ÁËÈÇÎÑÒÜ ÎÑÅÍÈ
x x x
x x x
x x x
x x x
THE RIVER DUDDON
x x x
ÑÎÍÅÒÛ Ê ÐÅÊÅ ÄÀÄÄÎÍ
x x x
x x x
x x x
x x x
Ó ÈÑÒÎÊÀ
THE PLAIN OF DONNERDALE
ÄÎÍÍÅÐÄÅËÜÑÊÀß ÄÎËÈÍÀ
AFTER-THOUGHT
ÏÐÎÙÀËÜÍÛÉ ÑÎÍÅÒ ÐÅÊÅ ÄÀÄÄÎÍ
ÑÎÍ ÏÈËÈÃÐÈÌÀ
SEPTEMBER 1819
ÑÅÍÒßÁÐÜ
ON SEEING A TUFT OF SNOWDROPS IN A STORM
x x x
SONG FOR THE SPINNING WHEEL
ÏÅÑÍß ÇÀ ÏÐßËÊÎÉ
THE HAUNTED TREE
ÎÊÎËÄÎÂÀÍÍÛÉ ÄÓÁ
MUTABILITY
ÈÇÌÅÍ×ÈÂÎÑÒÜ
 ÊÀÏÅËËÅ ÊÎÐÎËÅÂÑÊÎÃÎ ÊÎËËÅÄÆÀ  ÊÅÌÁÐÈÄÆÅ
LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR
I
II
III
IV
V
VI
VII
VIII
IX
X
ÆÀËÎÁÀ ÌÝÐÈ, ÊÎÐÎËÅÂÛ ØÎÒËÀÍÄÖÅÂ, Â ÊÀÍÓÍ ÍÎÂÎÃÎ ÃÎÄÀ
I
II
III
IV
V
VI
VII
VIII
IX
X
TO --
x x x
TO A SKY-LARK
ÆÀÂÎÐÎÍÊÓ
x x x
x x x
ÂÎÄÎÏÀÄ
THE TROSACHS
ÒÐÎÑÑÅÊÑ
x x x
ÂÅ×ÅÐÍÈÅ ÈÌÏÐÎÂÈÇÀÖÈÈ
ÃÍÅÇÄÎ ÏÅÍÎ×ÊÈ
x x x
x x x
x x x
ÂÍÓÒÐÅÍÍÅÅ ÇÐÅÍÈÅ
x x x
x x x
COMPOSED ON A MAY MORNING, 1838
ÑÎ×ÈÍÅÍÎ ÌÀÉÑÊÈÌ ÓÒÐÎÌ, 1838
THE SIMPLON PASS
ÑÈÌÏËÎÍÑÊÈÉ ÏÅÐÅÂÀË
x x x
x x x
ÃÀÐÐÈ-ÃÈËËÜ
ÍÀÑ ÑÅÌÅÐÎ
ÍÀÑ ÑÅÌÅÐÎ
x x x
ÏÅÑÍß ÂÅ×ÍÎÃÎ ÆÈÄÀ
ÏÀÄÅÍÈÅ ÂÅÍÅÖÈÀÍÑÊÎÉ ÐÅÑÏÓÁËÈÊÈ
Ê ÌÈËÜÒÎÍÓ
ËÎÍÄÎÍ, 1802
ËÎÍÄÎÍ, 1802. ÌÈËÜÒÎÍ
x x x
x x x
x x x
ÁÅÑÑÎÍÍÈÖÀ
ÌÎÒÛËÜÊÓ
Ê ÊÓÊÓØÊÅ
ÊÓÊÓØÊÀ
ÆÅËÒÛÅ ÍÀÐÖÈÑÑÛ
x x x
x x x
ÃËßÄß ÍÀ ÎÑÒÐÎÂÎÊ ÖÂÅÒÓÙÈÕ ÏÎÄÑÍÅÆÍÈÊΠ ÁÓÐÞ
ÄÀËÅÊÎÌÓ ÄÐÓÃÓ
ÑÒÐÎÊÈ, ÎÑÒÀÂËÅÍÍÛÅ ÍÀ ÊÀÌÍÅ Â ÐÀÇÂÅÒÂËÅÍÈÈ ÒÈÑÎÂÎÃÎ ÄÅÐÅÂÀ, ÑÒÎßÙÅÃÎ
THE FEMALE VAGRANT
LINES WRITTEN AT A SMALL DISTANCE FROM MY HOUSE AND SENT BY MY LITTLE BOY
SIMON LEE, THE OLD HUNTSMAN, WITH AN INCIDENT IN WHICH HE WAS CONCERNED
ANECDOTE FOR FATHERS
WE ARE SEVEN
LINES WRITTEN IN EARLY SPRING
THE THORN
THE LAST OF THE FLOCK
THE MAD MOTHER
THE IDIOT BOY
LINES WRITTEN NEAR RICHMOND UPON THE THAMES, AT EVENING
THE COMPLAINT OF A FORSAKEN INDIAN WOMAN
LINES COMPOSED A FEW MILES ABOVE TINTERN ABBEY, ON REVISITING THE BANKS
THERE WAS A BOY
"STRANGE FITS OF PASSION HAVE I KNOWN...", "SHE DWELT AMONG THE UNTRODDEN
LUCY GRAY, OR SOLITUDE
THE BROTHERS
ÒÎ JOANNA
SONG FOR THE WANDERING JEW
"I GRIEVED FOR BUONAPARTE, WITH A VAIN..."
"CALAIS, AUGUST 15, 1802"
ON THE EXTINCTION OF THE VENETIAN REPUBLIC
SONNET WRITTEN IN LONDON, SEPTEMBER, 1802
LONDON, 1802
"NUNS FRET NOT AT THEIR CONVENTS NARROW ROOM..."
COMPOSED UPON WESTMINSTER BRIDGE, SEPTEMBER 3, 1802
"IT IS A BEAUTEOUS EVENING, CALM AND FREE..."
"I AM NOT ONE WHO MUCH OR OFT DELIGHT..."
""BELOVED VALE!, I SAID, "WHEN I SHALL CON...""
"WITH SHIPS THE SEA WAS SPRINKLED FAR AND NIGH..."
ÒÎ A BUTTERFLY
"MY HEART LEAPS UP WHEN I BEHOLD..."
"AMONG ALL LOVELY THINGS MY LOVE HAD BEEN..."
WRITTEN IN MARCH
TO A BUTTERFLY
THE GREEN LINNET
THE SOLITARY REAPER
TO THE CUCKOO
"SHE WAS A PHANTOM OF DELIGHT..."
"I WANDERED LONELY AS A CLOUD..."
THE SEVEN SISTERS, OR THE SOLITUDE OF BINNORIE
ÒÎ THE SPADE OF A FRIEND.
A COMPLAINT
A NIGHT-PIECE ÍÎ×Ü
INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING THE
LAODAMIA
THE FRENCH AND THE SPANISH GUERILLAS
"WEAK IS THE WILL OF MAN, HIS JUDGEMENT BUND..."
"SURPRISED BY JOY-IMPATIENT AS THE WIND..."
SEPTEMBER 1815
"HAIL, TWILIGHT, SOVEREIGN OF ONE PEACEFUL HOUR!.."
"HOW SHALL I PAINT THEE..."
AFTER-THOUGHT
ON SEEING A TUFT OF SNOWDROPS IN A STORM
SONG FOR THE SPINNING WHEEL
THE HAUNTED TREE
MUTABILITY
LAMENT OF MARY, QUEEN OF SCOTS, ON THE EVE OF A NEW YEAR
THE TROSACHS
"CALM IS THE FRAGRANT AIR, AND LOTH TO LOSE..."
"IF THIS GREAT WORLD OF JOY AND PAIN..."
"MOST SWEET IT IS WITH UNUPLIFTED EYES..."
"WHY ART THOU SILENT! IS THY LOVE A PLANT..."
COMPOSED ON A MAY MORNING, 1838
THE SIMPLON PASS
"THOUGH THE BOLD WINGS OF POESY AFFECT..."
Size: 697700 bytes
Last-modified: Wed, 09 Nov 2005 18:16:31 GMT
È êóñî÷êàìè ïî 40Êá: [1][2][3][4][5][6][7][8][9][10][11][12][13][14][15][16][17][18]