*'94

                    " "
                      ..

 26.12.94   ""

0. ex Ash-Wednesday (..)

Because I do not hope to turn again
Because I do not hope
Because I do not hope to turn
Desiring this man's gift and that man's scope
(Why should the age`d eagle stretch its wings?)
Why should I mourn
The vanished power of the usual reign?

Because I do not hope to know again
The infirm glory of the positive hour
Because I do not think
Because I know I shall not know
The one veritable transitory power
Because I cannot drink there,
Where trees flower, and springs flow, for there is nothing again
                                     ...
And pray to God to have mercy upon us
And I pray that I may forget
These matters that with myself I too much discuss
Too much explain
Because I do not hope to turn again
Let these words answer
For what is done, not to be done again
May the judgement not be too heavy upon us

Because these wings are no longer wings to fly
But merely vans to beat the air
The air which is now thoroughly small and dry
Smaller and dryer than the will
Teach us to care and not to care
Teach us to sit still

Pray for us sinners now and at the hour of our death
Pray for us now and at the hour of our death
                                     ...
Lady of silences
Calm and distressed
Torn and most whole
Rose of memory
Rose of forgetfulness
Exhausted and life-giving
Worried reposeful
The single Rose
Is now the Garden
Where all loves end
Terminate torment
Of love unsatisfied
The greater torment
Of love satisfied
End of the endless
Jorney to no end
Conclusion of all that
Is inconclusible
Speech without word and
Word of no speech
Grace to the Mother
For the Garden
Where all love ends.
                                     ...
Where shall the word be found, Where will the word resound?
Not here, there is not enough silence
Not on those sea or on the islands, not on the mainland
In the desert or the rain land,
For those who walk in darkness
Both in the day time and in the night time
The right time and the right place are not here
No place of grace for those who avoid the face
No time to rejoice for those who walk among noise and deny the voice

Will the veiled sister pray for
Those who walk in darkness, who chose thee and oppose thee,
Those who are torn on the horn between season and season, time and time,
Between hour and hour, word and word, power and power,
Those who wait in darkness?
Will the veiled sister pray
For children at the gate
Who will not go away and cannot pray:
Pray for those who chose and oppose

O my people, what have I done unto thee.
                                     ...
Although I do not hope to turn again
Although I do not hope
Although I do not hope to turn

Wavering between the profit and the loss
In this brief transit where the dreams cross
The dreamcrossed twilight between birth and dying
(Bless me father)
Though I do not wish to wish these things
From the wide window towards the granite shore
The white sails still fly seaward, seaward flying
Unbroken wings

And the lost heart stiffens and rejoices
In the lost lilac and the lost sea voices
And the weak spirit quickens to rebel
For the bent golden-rod and the lost sea smell
Quickens to recover
The cry of quail and the whirling plover
And the blind eye creates
The empty form between the ivory gates
And smell renews the salt savour of the sandy earth

This is the time of tension between dying and birth
The place of solitude where three dreams cross
Between blue rocks
But when the voices shaken from the yew-tree drift away
Let the other yew be shaken and reply
Blesse`d sister, holy mother, spirit of the fountain, spirit of the garden,
Suffer us not to mock ourselves with falsehood
Teach us to care and not to care
Teach us to sit still
Even among these rocks,
Our peace in His will
And even among these rocks
Sister, mother
And spirit of the river, spirit of the sea,
Suffer me not to be separated

And let my cry come unto Thee.

1.   (.. - .)
A: |D6/9|IV |Bb C| |Gm Bb| |Am9| |A7| - |D6/9|IV |Bb C| |Gm Bb| |A7|II -
: |D6|IV |C7|II |G7| |Bb/G| -
I: |D6/9|VIII |D6/9|IV - |D6/9|IV |D6/9|IV |Am|IV |C|IV |D|IV ||IV |Am|IV
|D6/9| |E| |F-5|II |G|XVI |Em|XVI - 
Fin: |D6|IV |Bb C| |Gm Bb| |Am6| |A7| - |D6|IV |Bb C| |Gm Dm U|- 
	A-C1C2-A-I-A-C3C4-Fin
	 - -					 -  
	 - -					 
	 					  
	 					  
		 -   					 -   
		 -  					  
		 -  					  
		 -  					 

2.     (.)
R: |Em'''D+7'''''| |C+7'''Hm'''''| |G'''A'''''|
: (|Em| |A|)IV (|C+7| |G+7|)II - R -
C3: (|Em| |A|)IV (|C+7| |G+7|)III - R
R-(|Em| |A|)IV-C1-(|Em| |A|)IV-C2-(|Em| |A|)IV[solo kbd](|Em| |F#m|)IV[solo guit]-C3-(|Em| |A|)IV
.   .                       .
    .			   .
    - .			    ,   ,
      .	    ?
	 ,   ?   ?		 ,
	     			 ,  .
	   ?			     .

			    .
			    .
			 ,  ,  ?
			       ?
				    .
				 ,    .
				     .
				   -  .

3. " "   (..)
A: (|A'' A/G' A/F#'| |E|)IV -
: (|A| |E| |F#m| |D|)II |F#m| |D| |A| |E7| |A7| |D7| |A E| |A| -
F: |D|II |G| |G D| |A| - 
A-C1C2-A[solo guit]-C3-A[solo kbd]-C4-A-F
,  .   ,			   - ...!   ,
    .			    .
  ,   ,		 ,  ,   
   .				  ,   ?
	   ,    ,			  - ,  ,
	      .		    .
	   ,  		    ,
	      .	      .

     ,		 ,   -   ,
   ,			   ,
     		    
   ;			   .
	     ,		   ,   ,
	    .			 ,   !
	     !		      ,
	      .	      .

		For this could be the last time,
		This could be the last time,
		May be the last time,
		I don't know

6.   (..)
: (|+7| |Ho E7| |Am7/9| |D7| |F+7 E7| |Am7 D7| |Bb+7/9| |Hm7 E7| - 
R: (|C| |Fm G)IV - 
Fin: (|C C+7 C-7 C+7|)III C U - 
(7/8)IV-R[solo kbd]-C1-R[solo guit]-C2-(7/8)IV-R[solo kbd]-C3-R[solo guit]-C4-R-C[solo kbd]-(7/8)IV-Fin
  ,   
   ,    .
,  ,    
 ,   ;     .

     ,
  ,    .
   ,    ,
   ,   .

, , ;   
         ,
,  ,     ,
   ,    .

       ;
   ,  ,   -
  ,      ;
 ,    ...
4.   (..)
6/8:
I: (|Em'''' Am''|)IV - (|Em'''' Am''| |Hm|)IV - 
: (|Em'''' Am''| |Hm|)IV - (|G'''' C| |D'''' C|)III |H|II - (|D|II |Am|II |Em|II |H|II)II |H|VII - 
R: (|Em'''' Am''|)III |H| |Em'''' Am''| |Em'''' D''| |G| |H| - |H|IV - 
A: (|Em'''' Am''| |Hm|)IV - 
Fin: - 
I-C1R1-A[solo kbd]-C2R2-A[solo kbd2]-C3R3-Fin
    ,			   !
    ,				    !
   				   ,
  ;					 ;
	    ,			 ,  ,
	   ,				    ,
	,    ,				 -,
	  .					  ...
		 ,   ,				  -    ,
		  ,					   
		    :				  ;
		   ,			    	 -    ,
		   .			    	    
		   :				  .

 ,  ,				 ,  ,
 , -,			    ,
 ,    -			 ,   ,
      ?			  ,   .

			    ,
			   ,
			   
			  .
				   ,
				   
				  
				  .
					     
					  ,
					   ;
					   
					  ,
					    .

			 ,  ,
			- , ;
			 ,    -
			  ,   !
  , ...
5.   (./* - .)
1: |Em| |F |
2: |Em| |C|
3:  kbd+kbd2

-
	,
-
	
  -
	...

, 
  - 
   .

       .
   
   

  ,     
 

 - ,  ,  ,  - ,  ,
 -  
					  
	   ,
    .

  ,
	  ,
,  , , ,
 -  ,
	 ...

,   
   .
,    
 . , -,
   ,
   .

7.   (..)
: |Em|n - (|Am| |Em|)II |Am| |C| |A4| |H4 H7|
R: |Em|XVI
I: (|Em' D' C''|)II |G D| |A4|
(CRI)1-(CRI)2-(CRI)3
   .				,  -     ? -
 , , ,   .	   ,   .
   		 ,  ,    ,
 ,  .		   ,   -  .
	 -   ,				 -   ,
	 -    .				 -   ,
	 -  ,  ,			 -    ,
	 -    .		 -   .
      ,		 - ,    .
        .	    -   .
 -  ,  -  ,  -  ,  -   -	     ,  ,
   -    	   -    -
		 .				 .

    			    
      ,		      
            		           
            .		             .

			    ,  - ,     .
			 -       .
			       ,   , ,
			   ,      .
				 -  ,
				 -    ,
				 -  ,
				 - ,   .
			   ,
			       ,
			    - 
			,  ,    .
				 .

			    ,
			      
			         -  ,
			           ,    , ?

8.     (..)
: (|G| |D| |Em| |C D|)VIII
C-C1-C/2-C2-C/2[solo kbd2]-C/2-C3-C[solo kbd]-C/2
   -		   ,   -		 ,
,   !		   ;                                   			 .
  ,                		   ,   -            ,  
   .          		 .                                      			  .
  ,                 			  ,                                  		  ,
  ;            		   -                              		 .
    -             		  ,                                     			    -
   ,               		   !                                		   ...
			,                    						,
			 ,          					 ,
			   .        					   .
										,
										 ,
										   .
9.   (.. - .)
I: (|Am E|)IV - 
A: (|Am| |E|)II |A7 Dm| |Bb+7 Am7| |H7| |E7| -   
B: (|Am E|)II |#m7 C+7| |Hm7 Bb+7| |H7| |E7| -   B
C: (|m7| |G7|)II |H7| |Em7| |A7| |D+7| - (|7| |Gm7|)II |Bb7| |C7| |H7| |E7| - .  C
I-(A1B1)-A[solo guit]-(A2B2C2)-AA[solo kbd2]-(A3B3C3)-A[solo guit]-(A4B4)-IiV... dim
			 -  .
			   .
			-   ,
			   - .
			   ,
			  ,   ,
			     ,
			   .

 , ,  ?				  , ,
    ? -					    ?
    ,				   ,
   - .					   ?
 ,  ,				  ,
  :  !				  , ,  :
    !					   ,    -
   - !				 ,   .
	   					   !
	-  .					     .
	-   ,				   ,
	   .					   ,
	     					   ,
	  ,  					   ,
	    ,				    
	   - .					  .

			 -  ,
			 -  :
			    ,
			   - .
			   -  ,
			   ,
			  ,   ,
			   .

10.    (..)
	3/4 Dm
     ,  , ;
     ;
   ,  ,   ;
   ,     .

        ,
   ,     ;
       ,
  ,     .

   ,      ;
   ,      ;
   ,    ,  ;
  ,    ,  .

        ;
         ;
    ,        ;
 ,      .

11.   (.O')
: (|Am E|)VIII (|C G| (|Am E|)III)II - 
R: |F| |E| (|Am E|)IV - 
(|Am E|)IV-(C1C2R)-C[solo guit]-(C3C4R)-C[solo guit+kbd]-R-(|Am E|)n... dim
     ,		   ,   
      .		        .
   ,    .			    .
   ,    .			     .
    ,     .		      .
      ,  .		      .
 , ,    .			     .
      .		    .
	!  ...					!  ...
12.   (..)
: (|Dm'''Am'|)II |Bb Gm| |Am C| - 
R: (|Dm C| |F C|)II - 
[intro kbd2, kbd]-C1R-C2R-C[solo guit]-R-C3R-(R)IV[solos]-R[vcs]-
|Dm C| |Dm U[vcs]
  -             			         ...
 - -  .      		      .
     .                 				    .
   -    .          			  -   !
	                   				   

				    ;
				    ;
				 ,     ,
				  ,   .
					   
 ():
|F+7| |Am7/9| |Ab7| |Bb7-5|-
|Gb7| |Fb7| |Dbm7| |Db7|-
|Gbm| |Dbm| |Cbm7| |Ab7|-
|Em| |Am| |Em| |Am|-
|Bb7-5| |C7-5| |D7-5| |EU|

13.     (..)
: ((|C Am|)II |F Dm| |Bb Gm|)II - 
R: (|Am Em|)II |F Dm| |Bb Gm| - 
A: |Am Hm| ||Am/C Hm/D| |Am/E D| |G| - 
|A Am|-A-C1R-A-C2R-A[solo kbd]-C/2[solo guit]-C3R-(|Am Hm|)n... dim
                 				      ,
       ;   			    ,
              				     
    ;             				   ;
              				     ,
 ,  ,   ,   			 ,  ,
  -   -           				 ,  
                    					 ,     ,
	     ,              				      ,
	    ,                				     ,
	           			     
	                 				     
		.                                          							.

				       ,
				   ,
				      -
				  !
				     
				   ,   - ,
				     
				   
					     ,
					    ,
					     
					     
							.

14.     (..)
	3/4 |Am| |Am| |Am| |C'' Dm'|
   		   		    
   		   		  
   		   		   
  		  		 

   		       		   
 		   		   
   		   		   
 		  		  

   		     		   
   		    		  
  			    		   
  		   		   

15. Suzanne (L.Cohen)

Suzanne takes you down
To her place near the river
You can hear the boats go by
You can spend the night beside her
And you know that she's half crazy
But that's why you want to be there
And she feeds you tea and oranges
That come all the way from China
And just when you mean to tell her
That you have no love to give her
Then she gets you on her wavelength
And she lets the river answer
That you've always been her lover
And you want to travel with her
And you want to travel blind
And you know that she will trust you
For you've touched her perfect body with your mind.

And Jesus was a sailor
When he walked upon the water
And he spent a long time watching
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said "All men will be sailors then
Until the sea shall free them"
But he himself was broken
Long before the sky would open
Forsaken, almost human
He sank beneath your wisdom like a stone
And you want to travel with him
And you want to travel blind
And you think maybe you'll trust him
For he's touched your perfect body with his mind.

Now Suzanne takes your hand
And she leads you to the river
She is wearing rags and feathers
From Salvation Army counters
And the sun pours down like honey
On our lady of the harbour
And she shows you where to look
Among the garbage and the flowers
There are heroes in the seaweed
There are children in the morning
They are leaning out for love
And they will lean that way forever
While Suzanne holds the mirror
And you want to travel with her
And you want to travel blind
And you know that you can trust her
For she's touched your perfect body with her mind. 

Last-modified: Fri, 02 May 1997 13:23:34 GMT